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The most popular and famous form of Indonesian music is probably gamelan, an ensemble of tuned percussion instruments that include metallophones, drums, gongs and spike fiddles along with bamboo flutes. Similar ensembles are prevalent throughout Indonesia, Singapore and Malaysia, however gamelan is originated from Java, Bali, and Lombok.
Gamelan, which is the music accompanying the puppet show, is played in pelog or slendro tones according to the atmosphere of the scene being played. Gamelan music supports the delivery of values in wayang performances. The type of gamelan music for puppetry is different from gamelan music for dance or ordinary musical songs.
The Music of Java embraces a wide variety of styles, both traditional and contemporary, reflecting the diversity of the island and its lengthy history.Apart from traditional forms that maintain connections to musical styles many centuries old, there are also many unique styles and conventions which combine elements from many other regional influences, including those of neighbouring Asian ...
The ugal is an instrument in the Indonesian gamelan orchestra. It is a bronze metallophone played one handed with a small hammer, often in a dance-like manner. There are usually ten keys, giving a maximum range spanning about two octaves. Like the gangsa and gendér, they are suspended over tuned bamboo resonators.
Gamelan gong kebyar is a style or genre of Balinese gamelan music of Indonesia. Kebyar means "to flare up or burst open", [ 1 ] and refers to the explosive changes in tempo and dynamics characteristic of the style.
The Malay Gamelan (Malay/Indonesian: gamelan Melayu; Jawi: ݢاميلن ملايو ) is a style of music originated from Indonesia, performed in ethnic Malay-populated regions of Indonesia (particularly in North Sumatra, Riau and Riau Islands) and Malaysia (particularly in Pahang, Terengganu and Johor) as well.
Gamelan beleganjur is essential to the Hindu religious ceremonies of Bali, such as the ogoh-ogoh parades before the Balinese New Year, Nyepi. There are rites to appease evil spirits and honor good ones, temple festivals to celebrate the anniversary of a temple's dedication, and cremation ceremonies to cleanse the souls of the deceased and ...
An example of kotekan empat (H=high, L=low) depicting the sangsih part (top), the polos part (middle), and their composite (bottom) [1]. Kotekan is a style of playing fast interlocking parts in most varieties of Balinese Gamelan music, including Gamelan gong kebyar, Gamelan angklung, Gamelan jegog and others.