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The Tapestry of Creation or Girona Tapestry is a Romanesque panel of needlework from the 11th century, housed in the Museum of the Cathedral of Girona, Catalonia, Spain. [1] Measuring 3.65 m × 4.70 m (12.0 ft × 15.4 ft) of wool and linen, contemporary scholars are still debating its patronage and intended function in the Church.
It forms part of a series of allegorical paintings praising the sacrament of the Eucharist, the Catholic faith and the Counter Reformation and attacking heresy and the Protestant Reformation. They were first conceived as modellos for monumental tapestries to be displayed during major festivals such as Corpus Christi at the Convent of Las ...
The Allegory of Faith, also known as Allegory of the Catholic Faith, is a Dutch Golden Age painting by Johannes Vermeer from about 1670–1672. It has been in the Metropolitan Museum of Art in New York since 1931.
Large needlework hanging with religious scenes; The Överhogdal tapestries - Viking hangings of 1040 to 1170. The Bayeux Tapestry is an embroidered cloth — not an actual tapestry — nearly 70 metres (230 ft) long, which depicts the events leading up to the Norman conquest of England, likely made in England — not Bayeux — in the 1070s
The walls of the Sistine Chapel had been decorated 20 years before Michelangelo's work on the ceiling. Following this, Raphael designed a set of tapestries (1515–1516) to cover the lowest of three levels; [4] the surviving tapestries are still hung on special occasions.
The fourth wall containing the Virtues addresses both the civil law of the secular state and the canon law of the Church. [3] Accordingly, three classical cardinal virtues (Fortitude, Prudence and Temperance) are attended by five putti, three of whom depict the theological virtues of Charity, Hope, and Faith. [4] On the left, Raphael painted ...
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