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The Togakure ryu Ninjutsu Hidensho is a Japanese manuscript written by Takamatsu, in the possession of Masaaki Hatsumi, that documents modern Togakure-ryū. [5] The document is purported to contain the origin of the "18 Skills of Ninjutsu". Modern Togakure-ryu is taught in the syllabi of the Bujinkan, Genbukan, Jinenkan, Gi Yu Kyo Kai, and To ...
In 1972, Masaaki Hatsumi founded the Bujinkan organization. It uses the concepts of Ninjutsu in three of its nine schools [3] though they have since steered away from the "Ninjutsu" moniker in order to avoid stereotypes and since the art, which contains 9 ryūha (or schools), only has 3 schools based on the ninja while the other 6 are based on samurai tactics.
Kōga-ryū (甲賀流, "School of Kōga") is an umbrella term for a set of traditions of ninjutsu that originated from the region of Kōga (now the city Kōka in Shiga Prefecture). The samurai of Kōga-ryū were known as "Kōga-no-mono", and operated as shinobi throughout Japan's turbulent Sengoku period.
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The ninja used their art to ensure their survival in a time of violent political turmoil. Ninjutsu included methods of gathering information and techniques of non-detection, avoidance, and misdirection. Ninjutsu involved training in disguise, escape, concealment, archery, and medicine. Skills relating to espionage and assassination were highly ...
Aikido; Araki-ryū; Ashihara kaikan; Bajutsu; Battōjutsu; Bōjutsu; Bujinkan; Byakuren Kaikan; Chitō-ryū; Daitō-ryū Aiki-jūjutsu; Enshin kaikan; Gensei-ryū ...
Togakure ryu Ninjutsu Hidensho is a manuscript in Hatsumi's possession that is said to document Togakure-ryū. It is the purported origin of the "18 skills of Ninjutsu." Ninja jūhakkei was often studied along with Bugei jūhappan (the 18 samurai fighting art skills). Though some techniques were used in the same way by both samurai and ninja ...
Battōjutsu training technically incorporates kata, but generally consist of only a few moves, focusing on stepping up to an enemy, drawing, performing one or more cuts, and sheathing the weapon. Battōjutsu exercises tend to lack the elaborateness, as well as the aesthetic considerations of iaijutsu or iaidō kata .