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Saint John the Baptist Preaching (Raphael) [Wikidata] National Gallery, London, United Kingdom: Oil on panel 26,2 x 52 c. 1505 Small Cowper Madonna: National Gallery of Art, Washington, United States: Oil on panel 59,5 x 44 c. 1505: Terranuova Madonna: Gemäldegalerie, Berlin, Germany: Oil on panel Diameter 88,5 1505–1506: Christ Blessing
The Resurrection of Christ (1499–1502), also called The Kinnaird Resurrection (after a former owner of the painting, Lord Kinnaird), is an oil painting on wood by the Italian High Renaissance master Raphael. The work is one of the earliest known paintings by the artist, executed between 1499 and 1502.
The way Raphael composed the painting creates a sense of intimacy between Mary and Christ, with John the Baptist as witness. The positions of Mary and Christ, and to a lesser extent John the Baptist, serve as a prefiguration of the Passion and eventual death of Christ. [5] The book Mary hold tells of these eventual events.
The Transfiguration is the last painting by the Italian High Renaissance master Raphael.Cardinal Giulio de Medici – who later became Pope Clement VII (in office: 1523–1534) – commissioned the work, conceived as an altarpiece for Narbonne Cathedral in France; Raphael worked on it in the years preceding his death in 1520. [1]
Giovanni Santi, Raphael's father; Christ supported by two angels, c. 1490. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marches region, [8] where his father Giovanni Santi was court painter to the Duke.
The Miraculous Draught of Fishes St Paul Preaching in Athens A rare display of the tapestries in the Sistine Chapel, 2011 Christ's Charge to Peter. The Raphael Cartoons are seven large cartoons for tapestries, surviving from a set of ten cartoons, designed by the High Renaissance painter Raphael in 1515–1516.
The Mond Crucifixion or Gavari Altarpiece is an oil on poplar panel dated to 1502–1503, making it one of the earliest works by Italian Renaissance artist Raphael, perhaps the second after the c.1499-1500 Baronci Altarpiece.
In the Catacombs of Rome, artists just hinted at the Resurrection by using images from the Old Testament such as the fiery furnace and Daniel in the Lion's Den. The period between the year 250 AD and the liberating Edict of Milan in 313 AD saw violent persecutions of Christians under Decius and Diocletian. The most numerous surviving examples ...