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There are some singers who are recognized by their pronounced nasal quality; whereas others are noted for their deep, dark, and chesty sound; and still others are noted for their breathy or heady sound; and so on. In part, such individuality depends on the structure of the singer's vocal instrument, that is, the inherent shape and size of the ...
In close miking, a microphone is placed relatively close to an instrument or sound source, within three to twelve inches, producing a dry or non-reverberant sound. [1] This serves to reduce extraneous noise, including room reverberation and is commonly used when attempting to record a number of separate instruments while keeping the signals ...
For sound reinforcement in live shows, mic bleed can make it hard for the sound engineer to control the levels of the different instruments and vocals onstage. For example, if an electric guitarist's loud amplifier is bleeding into the drum and vocal mics, it may be hard for the sound engineer to reduce the volume of the guitar in the onstage mix.
A typical sound reinforcement system consists of; input transducers (e.g., microphones), which convert sound energy such as a person singing into an electric signal, signal processors which alter the signal characteristics (e.g., equalizers that adjust the bass and treble, compressors that reduce signal peaks, etc.), amplifiers, which produce a ...
Sound quality is typically an assessment of the accuracy, fidelity, or intelligibility of audio output from an electronic device. Quality can be measured objectively, such as when tools are used to gauge the accuracy with which the device reproduces an original sound; or it can be measured subjectively, such as when human listeners respond to ...
The position of the pop filter is different in different recording situations, with a further position from the microphone causing fewer pop sounds. More distance means increasing the microphone gain and gaining more room noise. Normally, to get good quality, the pop filter should be placed about 2–6 inches (5–15 cm) away from the ...
Sound that's much closer to the front port than to the rear will make more of a pressure gradient between the front and back of the diaphragm, causing it to move more. The microphone's proximity effect is adjusted so that flat frequency response is achieved for sound sources very close to the front of the mic – typically 1 to 3 cm. Sounds ...
Together, these approximate the sound field on a sphere around the microphone; formally the first-order truncation of the multipole expansion. W {\displaystyle W} (the mono signal) is the zero-order information, corresponding to a constant function on the sphere, while X Y Z {\displaystyle XYZ} are the first-order terms (the dipoles or figures ...