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Tapestry can have extremely complex wefts, as different strands of wefts of different colours are used to form the pattern. Speed is lower, and shedding and picking devices may be simpler. Looms used for weaving traditional tapestry are called not as "vertical-warp" and "horizontal-warp", but as "high-warp" or "low-warp" (the French terms haute ...
Artworks could be replicated en masse by use of the Hattersley Jacquard (Tapestry) Loom. For example, Sir Edwin Henry Landseer's painting Bolton Abbey in Ye Olden Times was produced in tapestry form by a Jacquard Loom at a Franco-British exhibition in 1908. [4] There is a Hattersley Jacquard (tapestry) loom located at Queen Street Mill in ...
A loom from the 1890s with a dobby head. A dobby loom, or dobbie loom, [1] is a type of floor loom that controls all the warp threads using a device called a dobby. [2]Dobbies can produce more complex fabric designs than tappet looms [2] but are limited in comparison to Jacquard looms.
Handweaving looms (including floor and table looms) use interchangeable reeds, where the reeds can vary in width and dents per inch. This allows the same loom to be used for making both very fine and very coarse fabric, as well as weaving threads at dramatically different densities. [10] The width of the reed sets the maximum width of the warp. [4]
Inkle looms have one of the more primitive shedding devices, where there is one set of heddles and the shed is created by hand. A backstrap loom with a shed-rod. Originally there was no shed, and the weft was inserted into the warp by picking the warp threads up individually, as is done in tapestry weaving. After each weft thread is woven the ...
In rigid heddle looms there is typically a single shaft, with the heddles fixed in place in the shaft. The warp threads pass alternately through a heddle and through a space between the heddles, so that raising the shaft will raise half the threads (those passing through the heddles), and lowering the shaft will lower the same threads—the ...
[4] At this point the loom has become automatic except for refilling weft pirns. The Cartwight loom weaver could work one loom at 120-130 picks per minute- with a Kenworthy and Bullough's Lancashire Loom, a weaver can run four or more looms working at 220-260 picks per minute- thus giving eight (or more) times more throughput.
[3] [4] These swivel shuttles are responsible for forming the designs, while the regular shuttle creates the base structure. [5] Swivel weaving is characterized by minimal waste. [6] Typically, contrasting colors were utilized for the designs. [4] The Dotted Swiss is an example of a swivel weave, where dots may be formed on a sheer fabric. [7] [8]