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Chromatic scale drawn as a circle The diatonic scale notes (above) and the non-scale chromatic notes (below) [2] The twelve notes of the octave—all the black and white keys in one octave on the piano—form the chromatic scale. The tones of the chromatic scale (unlike those of the major or minor scale) are all the same distance apart, one ...
Chromatic scales involve both. Three immediately adjacent keys produce a basic chromatic tone cluster. Prototypical tone clusters are chords of three or more adjacent notes on a chromatic scale, that is, three or more adjacent pitches each separated by only a semitone.
The diatonic scale notes (above) and the non-scale chromatic notes (below) [13] Medieval theorists defined scales in terms of the Greek tetrachords. The gamut was the series of pitches from which all the Medieval "scales" (or modes, strictly) notionally derive, and it may be thought of as constructed in a certain way from diatonic tetrachords.
The technical novelty of this étude is the chromatic scale to be played by the three outer fingers of the right hand together with short semiquaver notes to be played by the first and second fingers of the same hand and the difficulty is to do this evenly in piano and legato at the required tempo of M.M. 144.
Chromatic fourth: lament bass bassline in Dm (D–C ♯ –C(♮)–B–B ♭ –A) The diatonic scale notes (above) and the non-scale chromatic notes (below) [1] Chromaticism is a compositional technique interspersing the primary diatonic pitches and chords with other pitches of the chromatic scale. In simple terms, within each octave ...
A measure of the width of each scale step provides a method to classify scales. For instance, in a chromatic scale each scale step represents a semitone interval, while a major scale is defined by the interval pattern W–W–H–W–W–W–H, where W stands for whole step (an interval spanning two semitones, e.g. from C to D), and H stands ...
Using the notes of a chromatic scale, each tone can be divided into two semitones: T = S+S. For instance, the tone from C to D (in short, C–D) can be decomposed into the two semitones C–C ♯ and C ♯ –D by using the note C ♯, which in a chromatic scale lies between C and D. This means that, when a chromatic scale is used, a tritone ...
The color schemes above divide the 12 basic notes of the chromatic scale into groups in different ways: Piano (7–5): two asymmetrical groups of 7 (white keys) and 5 (black keys) Whole Tone Scale (6–6): two symmetrical groups of notes a major second apart (6 notes per group) Minor Thirds (4–4–4): three symmetrical groups of notes a minor ...