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Dream Analysis: Notes of the Seminar Given in 1928–1930 is a book by Swiss psychiatrist, Carl Gustav Jung. It was first published in English in 1984. [1] In 1991, it was translated and published in the German language. [2] Its overall premise is to provide further clarification upon Jung's dream analysis methods.
[D 9] In Jungian theory, "dream teachings" are always personal. Thus, the explanation of the dream is complete when we succeed in indicating "the dreamer's distance from the realization of the demands of the collective unconscious". [C 3] Knowing the collective unconscious and its hold on the subject is the crucial phase of Jungian ...
The concept of archetypes is a key aspect of Jung's theory of the collective unconscious, which suggests that there are universal experiences that are inherent to the human experience. The existence of archetypes can be inferred from various cultural phenomena, such as stories, art, myths, religions, and dreams.
The field of neuroscience calls this phenomenon “brain plasticity,” referring to the ability of the brain, like plastic, to assume new shapes and hold them. Neuroscience used to think that ...
Jung credited Neumann, author of "Origins of Conscious" and "Origins of the Child", as his principal student to advance his (Jung's) theory into a mythology-based approach. [114] He is associated with developing the symbolism and archetypal significance of several myths: the Child, Creation, the Hero, the Great Mother and Transcendence. [10]
Jung was convinced that the scope of dream interpretation was larger, reflecting the richness and complexity of the entire unconscious, both personal and collective. Jung believed the psyche to be a self-regulating organism in which conscious attitudes were likely to be compensated for unconsciously (within the dream) by their opposites. [34]
According to Carl Jung, these dreams arise from the collective unconscious more than the personal unconscious, [2] that is, their imagery is broadly shared by many people in different cultures. Jung states that these dreams appear more often in during critical phases of change in human life, being early youth, puberty, middle age and as one ...
Embodied imagination is a therapeutic and creative form of working with dreams and memories pioneered by Dutch Jungian psychoanalyst Robert Bosnak [1] [2] and based on principles first developed by Swiss psychiatrist Carl Jung, especially in his work on alchemy, [3] and on the work of American archetypal psychologist James Hillman, who focused on soul as a simultaneous multiplicity of ...