Search results
Results From The WOW.Com Content Network
Music for Violin and Piano is an album by violinist Mark Feldman and pianist Sylvie Courvoisier, which was released on the Avant label in 1999. [1] Reception
"36 Études", for violin and piano or for violin solo, Op.48 -Op.2 posthumous; dedicated to the Conservatoire de Paris-(1881) "6 Morceaux" pour violon seul suivis d'un Capriccio pour alto seul, Op.55 -Op.9 posthumous-(pub.1883) No.1 Andante; No.2 Moderato; No.3 Prélude (dedicated to violinist Léon Reynier) No.4 Tempo di minuetto; No.5 Andante
For the introduction to his headlining set at Coachella, West used a string remix of the song that consisted of violin from music programmer Laura Escudé. [54] [55] During Jay-Z and West's Watch the Throne Tour that ran from 2011 until 2012, they performed the song as the opening number. [56]
Plugg is a sub-genre of trap music that emerged in the mid-2010s via online distribution on the SoundCloud platform. It was popularized by melodic Southern hip hop artists, and is characterized by deep 808 basslines, sparkly melodies, and melodic vocals.
Pablo de Sarasate: Navarra, Duo in A major for 2 violins and orchestra (or piano), Op. 33 (1889.) Johanna Senfter : Concerto for 2 violins and string orchestra, Op. 40 Obadiah Shuttleworth : 2 concerti grossi, for two solo violins and string orchestra, arranged from the opus 5 solo sonatas by Arcangelo Corelli (1653–1713)
violin and piano 1932: Fantaisie ("Fantasia") violin and piano 1933: premiere 1935; discovered and published 2007 [6] Quatuor pour la fin du Temps ("Quartet for the End of Time") violin, cello, clarinet, and piano 1940-41 5th mvt is arr. of 4th mvt of Fête des belles eaux, 8th mvt is arr. of 2nd mvt of Diptyque: Pièce ("Piece") oboe and piano ...
The compositions for violin and piano D 384, 385 and 408 were named Sonata in Schubert's autographs. [ 5 ] [ 6 ] They were named Sonatina when published posthumously as Op. 137 in 1836. [ 7 ] Since these works are modest in size—rather to be compared to Mozart's violin sonatas than to Beethoven's —the "Sonatina" diminutive stuck to them.
In 2006, The Washington Post characterized Salerno-Sonnenberg as a "fiercely original, deeply emotive violinist". Over the 25 years she had already been concertizing, "her playing, always mercurial and exciting but occasionally a little scattershot, has become positively reliable, both musically and technically, without losing any of the wild electricity that always set her apart."