Search results
Results From The WOW.Com Content Network
Kanda Sashti Kavasam or Skanda Shashti Kavacham (Tamil: கந்த சஷ்டி கவசம்) is a Hindu devotional song composed in Tamil by Devaraya Swamigal (born c. 1820), [1] a student of Meenakshi Sundaram Pillai, on Murugan, the son of Shiva, in Chennimalai near Erode. It was composed in the 19th century.
Devaraya Swamigal eventually wrote six hymns, popularly known as kavachams or kavasams (literally meaning "armour"), the most popular of which is the Kanda Shasti Kavacham. The other kavasams are Siva Kavacham, Shanmuga Kavacham, Shakthi Kavacham, and Narayana Kavacham. [ 3 ]
The duo-sisters were very popular for their matchless rendition of national and devotional songs. They had a hectic practice for about three decades and were much sought after for providing background music in films. Their Kanda Shasti Kavasam album is very popular with the Lord Muruga devotees. [2]
Surasamharam is preceded by several ceremonies on the last day of the Kanda Shashti festival. Special pujas are conducted and the deity of Murugan is ritually anointed in the ritual of abhishekam. Devotees are offered an auspicious sight of the deity, called a darshana. In some parts of Tamil Nadu, devotees observe a six-day fast, which they ...
The film was initially titled as Paathi (Half) and then as Kalam (Field), before the team opted to change the title to Kaakha Kaakha, a line from Kanda Shasti Kavasam. [ 4 ] [ 5 ] Gautham Vasudev Menon revealed that he was inspired to make the film after reading of articles on how encounter specialists shoot gangsters and how their families get ...
He was a Murugan devotee who helped rebuild and complete the works on many of the temples across Tamil Nadu.. At the time when the atheist movement swept Tamil Nadu, he sought to re-establish Hinduism and Theism in the State. [2]
Thus, Murugan is regarded as the son-in-law of Vishnu, as their husband. An interpolation in the Tamil recensions of the scripture as well as the Kanda Purana (the Tamil version of the Sanskrit Skanda Purana) narrate the story of the marriage of the two maidens to Murugan. The two maidens are fated to be married to the god.
There are 5 sthāyis in Carnaatic music, namely, Anumandara (lowest), Mandara (literally means chant, which means lower), Madhya (literally means middle), Taara (means higher) and Athitaara (meaning very high). Most artists sing over two octaves or two and a half octaves range (within Mandra, Madhya and Taara sthaayis).