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The songs depict scenarios with a lack of trust and are filled with puns and double entendres. The cover artwork, in an ironic nod to the title, is a headshot of Costello appearing mistrustful. Trust charted in the UK top ten and at number 28 in the US, while its singles performed poorly. It received positive reviews on release; critics ...
The song was written by Brandon Lake, Chris Brown, Mitch Wong, and Steven Furtick. [2] The song interpolates the lyrics of the hymn "Blessed Assurance." [3] [4] "Trust in God" peaked at No. 2 on the US Hot Christian Songs chart.
"Samson and Delilah" is a traditional song based on the Biblical tale of Samson and his betrayal by Delilah. Its best known performer is perhaps the Grateful Dead, who first performed the song live in 1976, with guitarist Bob Weir singing lead vocals. The 1977 album Terrapin Station featured a studio recording of the song.
Songs from the album remain in both Costello and Bacharach's live repertoires. A rendition of "God Give Me Strength" closes Costello's 2004 orchestrated live album My Flame Burns Blue , while some of Bacharach's later concerts with regular singer John Pagano also incorporated "God Give Me Strength".
Girl (Beatles song) God (Tori Amos song) God (John Lennon song) God Has a Voice, She Speaks Through Me; The God That Failed (song) H. He Gives Us All His Love; Heaven ...
“I’m looking for a man in finance, trust fund, 6’5”, blue eyes. Finance, trust fund, 6’5” blue eyes,” Boni sings to the camera in a sing-songy way that calls to mind the 2010 hit ...
The song ideas began early in the production of the album. Crocker worked with Ligthelm later back in Australia to write more of the lyrics and Ligthelm helped deciding that the theme of the song should be about stepping into the unknown and Peter having blind trust to walk on water. Much of the melody was written over the course of 10 days at ...
"Trust Issues" is an R&B song that examines the suffering and ambiguity that result from negotiating the complexities of interpersonal relationships. [11] Chris Coplan of Consequence described it as "half confessional, half ode to drank", [ 12 ] and Singersroom described stated that it intensifies to a powerful conclusion as Drake's vocals soar ...