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Monochrome printmaking is a generic term for any printmaking technique that produces only shades of a single color. While the term may include ordinary printing with only two colors — "ink" and "no ink" — it usually implies the ability to produce several intermediate colors between those two extremes.
Rather than printing multiple copies of a single image, only one impression may be produced, either by painting or making a collage on the block. Etching plates may also be inked in a way that is expressive and unique in the strict sense, in that the image cannot be reproduced exactly. [ 1 ]
The use of dye imbibition for making full-color prints from a set of black-and-white photographs taken through different color filters was first proposed and patented by Charles Cros in 1880. [1] It was commercialized by Edward Sanger-Shepherd , who in 1900 was marketing kits for making color prints on paper and slides for projection .
The same print using sodium chloroplatinate will have cooler tones similar to those of a platinum/palladium print. The inherent low sensitivity of the process occurs because the ferric oxalate is sensitive to ultraviolet light only, thus specialized light sources must be used and exposure times are many times greater than those used in silver ...
A Woodburytype is both a printing process and the print that it produces. In technical terms, the process is a photomechanical rather than a photographic one, because sensitivity to light plays no role in the actual printing. The process produces very high quality continuous tone images in monochrome, with
Toner can be washed off skin and garments with cold water. Hot or warm water softens the toner, causing it to bond in place. Toner fused to skin eventually wears off, or can be partially removed using an abrasive hand cleaner.
A method of full-color printing is six-color process printing (for example, Pantone's Hexachrome system) which adds orange and green to the traditional CMYK inks for a larger and more vibrant gamut, or color range. However, such alternate color systems still rely on color separation, halftoning and lithography to produce printed images.
Sumizuri-e Print by Nishikawa Sukenobu. Sumizuri-e is a type of monochromatic woodblock printing that uses only black ink. It is one of the earliest forms of Japanese woodblock printing, dating back to the Nara period (710 – 794). Sumi-e translates to “ink wash painting,” which is a type of East Asian brush painting technique that uses ...