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Vinyl on Demand is a record label that targets vinyl collectors of 1970s and 80s minimal synth, industrial and avant-garde music. Along with sales to distributors, Vinyl on Demand provides a subscription service. Most releases are limited to 500 copies and between subscribers and distributors they often sell out. [1]
“Cassette culture” is an international music scene that developed in the wake of punk in the second half of the 1970s and continued through into the first half of the 1980s (the "postpunk" period), and in some territories into the 1990s, in which a large number of amateur musicians outside the established music industry, usually recording in their homes and usually recording to cassette ...
By the end of the 2010s, concept albums with culturally relevant and critically successful personal narratives reemerged, as did the vinyl format in a commercial revival led by mainstream artists who also garnered the most album streams with minimal marketing capitalizing on the digital era's on-demand consumer culture, spurred further by the ...
Cruisin' was an American rock and roll and pop music sampler series covering the years 1955-1970. It was released by Increase Records, originally in 1970 and 1972 on vinyl, 8-Track, and Cassette (years 1955 to 1963) with later years being released in 1986 (cassette), and in 1996 on CD and cassette tape again.
Prototype was one of the most valuable minimal synth records selling for over $500 each on the collectors market in the early 2000s. A very rare flexi-vinyl of "Work the Beat" was included in Philadelphia's Terminal music scene newspaper, produced by the Experimental Products' first manager, Steve Fritz.
You Weren't There: A History of Chicago Punk, 1977–1984 is a 2007 documentary film about punk subculture in Chicago from 1977 through 1984. The film was written and directed by Joe Losurdo and Christina Tillman, and profiles the punk bars and local bands that gave rise to the city's punk rock scene in the late 1970s and early 1980s. [1]
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In 2007, one of Germany's largest public radio stations, WDR 2, asked its listeners to vote for the 200 best albums of all time. Wish You Were Here was voted number one. [78] In 2004, Wish You Were Here was ranked number 36 on the Pitchfork list of the Top 100 albums of the 1970s. [79]