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The New York School was an informal group of American poets, painters, dancers, and musicians active in the 1950s and 1960s in New York City. They often drew inspiration from surrealism and the contemporary avant-garde art movements, in particular action painting, abstract expressionism, jazz, improvisational theater, experimental music, and the interaction of friends in the New York City art ...
Mary Callery (June 19, 1903 – February 12, 1977) was an American artist known for her Modern and Abstract Expressionist sculpture.She was part of the New York School art movement of the 1940s, 1950s and 1960s.
Arte Informale became an internationally accepted movement that reached the New York School, the Japanese Gutai Group, and the South American Abstractionists. [4] However, the primary adherents were French and Italian avant-garde artists. [4] It was a movement wherein artists created a dialogue between material, subject, and the world. [4]
In the early 1950s, his work appeared very much inspired by French painter Pierre Soulages, who had exhibited in Betty Parsons' gallery in New York in 1949. [15] In the late 1930s in London, Kline had called himself a "black and white man", but not until the Egan Gallery show had the accuracy of this phase become clear to others.
The New York School of American Abstract Expressionism (1940s-50s) is also seen as closely linked to the movement. [3] The term was coined by the American critic Harold Rosenberg in 1952, [4] in his essay "The American Action Painters", [5] and signaled a major shift in the aesthetic perspective of New York School painters and critics.
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The focus of attention in the world of contemporary art began to shift from Paris to New York after World War II and the development of American abstract expressionism. During the late 1940s and early 1950s Clement Greenberg was the first art critic to suggest and identify a dichotomy between differing tendencies within the abstract ...
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