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Eminent Sanskrit poets like Bāṇabhaṭṭa, Jayadeva and Rajasekhara have lavished praise on Kālidāsa in their tributes. A well-known Sanskrit verse ("Upamā Kālidāsasya...") praises his skill at upamā, or similes. Anandavardhana, a highly revered critic, considered Kālidāsa to be one of the greatest Sanskrit poets. Of the hundreds of ...
The Swaminarayan Bhashyam (Svāminārāyaṇabhāṣyam) is a five-volume Sanskrit bhashya, or commentary, on the Prasthanatrayi (Prasthānatrayī) - the ten principal Upanishads (Upaniṣads), the Bhagavad Gita (Bhagavadgītā), and the Brahmasutras (Brahmasūtras) - which establishes the principles taught by Swaminarayan as perceived by the BAPS.
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The English renderings of these Sanskrit plays tend to avoid erotic and explicit aspects due to moral tastes of modern audience. [6] The play depicts Kalidasa as a court poet of Chandragupta who faces a trial on the insistence of a priest and some other moralists of his time. [7] [8]
Bhavabhūti (Devanagari: भवभूति) was an 8th-century scholar of India noted for his plays and poetry, written in Sanskrit. His plays are considered the equal of the works of Kalidasa. He is known as "Poet of Karun Rasa" for his work named as Uttararamacarita. Bhavabhuti was born in Padmapura, tah.
The most influential work for the Indian Sanskrit grammatical tradition is the Aṣṭādhyāyī of Pāṇini, a book of succinct Sūtras that meticulously define the language and grammar of Sanskrit and lay the foundations of what is hereafter the normative form of Sanskrit (and thus, defines Classical Sanskrit). [96]
The Mālavikāgnimitram (Sanskrit, meaning Mālavikā and Agnimitra) is a Sanskrit play by Kālidāsa. Based on some events of the reign of Pushyamitra Shunga, [1] it is his first play. Mālavikāgnimitram tells the story of the love of Agnimitra, the Shunga Emperor at Vidisha, [2] for the beautiful handmaiden of his chief queen. He falls in ...
Ṛtusaṃhāra, often written Ritusamhara, [1] [2] (Devanagari: ऋतुसंहार; ऋतु ṛtu, "season"; संहार saṃhāra, "compilation") is a medium length Sanskrit poem. [3] While the poem is often attributed to Kalidasa, modern scholars disagree with this traditional attribution.