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The Rolls-Royce 20/25 is the second of Rolls-Royce Limited's inter-war entry-level models. Built between 1929 and 1936, it was very popular, becoming the most ...
However, Park Ward, another coachbuilder which had come to specialise in Rolls-Royce and Bentley bodies, had been a wholly owned subsidiary of Rolls-Royce since 1939. As well as Rolls-Royce and Bentley, Barker also constructed bodywork on chassis by other manufacturers including Daimler, Napier, Packard, Cadillac, Duesenberg, and Mercedes-Benz.
Spirit of Ecstasy, the bonnet mascot sculpture on Rolls-Royce cars. Rolls-Royce Motor Cars Limited was created as a wholly owned subsidiary of BMW in 1998 after BMW licensed the rights to the Rolls-Royce brand name and logo from Rolls-Royce Holdings plc, [6] and acquired the rights to the Spirit of Ecstasy and Rolls-Royce grille shape trademarks from Volkswagen AG.
This Rolls-Royce appears in films such as The Naked Truth (1957), Death on the Nile (1978), and several others. Although the sultan in Indiana Jones and the Last Crusade (1989) calls his car a Phantom II, the technical details he recites are those of the 25/30. However, the actual on-screen car was neither; it was a 1935 20/25.
Bentley Motors Limited is the direct successor of Rolls-Royce Motors and its predecessor entities and owns historical Rolls-Royce assets such as the Crewe factory, pre-2003 vehicle designs and the L Series V8 engine. Rolls-Royce Motor Cars, a subsidiary of BMW AG established in 1998 that began production of vehicles in 2003.
The Kansas City Music Hall is a large proscenium theatre with a striking Streamline Modern interior that seats an audience of 2,400 patrons. The hall presents touring Broadway shows, as well as visiting symphony orchestras, opera and ballet companies, and other events. It was the main hall of the Kansas City Philharmonic for several decades.
Headliners of 2025's Goldenvoice-produced Stagecoach Festival will highlight country music's mainstream culture-dominating moment.. Yes, country, pop and rock chart-toppers Luke Combs, Jelly Roll ...
Opened in 2011, it houses two venues: the 1,800-seat Muriel Kauffman Theatre, home of the Kansas City Ballet and Lyric Opera of Kansas City; and the 1,600-seat Helzberg Hall, home of the Kansas City Symphony Orchestra. Both venues host a variety of artists and performance groups in addition to these three resident entities.