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Yiorgos Benos (Spyros): Son of Maria and Charalambos. He is oppressed and trapped in the model of the "tough" young man in the small society of the island. [1] Antinoos Albanis (Michalis): The island doctor. The reason he never left the island was his love for Sophia.
Yorgo Bacanos (Greek: Γιώργος Μπατζανός, pronounced [ʝeˈor. ɣos ba.d͡zaˈnos]; 21 September 1900 - 24 February 1977 [1]) was a master oud player and improvisational composer of Ottoman classical music.
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Dogtooth (Greek: Κυνόδοντας; Kynothontas) is a 2009 Greek psychological drama film directed by Yorgos Lanthimos.Written by Lanthimos and Efthymis Filippou, the film is about a husband and wife (Christos Stergioglou and Michelle Valley) who keep their children (Angeliki Papoulia, Christos Passalis, and Mary Tsoni) ignorant of the world outside their property well into adulthood.
The Counterfeit Coin (Greek: Ιστορία μιας κάλπικης λίρας, romanized: Istoria mias kalpikis liras, lit. 'Story of a fake pound'; also Η κάλπικη λίρα, I kalpiki lira, "the fake pound") is a Greek comedy-drama film, produced in 1955, written and directed by Giorgos Tzavellas and starring Dimitris Horn, Ilia Livykou and Vassilis Logothetidis.
Voyagis' film debut was in Michael Cacoyannis's Zorba the Greek (1964). He reappeared three years later in the Italian Western Killer Kid.. Voyagis then starred in the film Chronicle of the Years of Fire by Mohammed Lakhdar-Hamina (1975).
List of Yorgos Lanthimos awards Award Wins Nominations Academy Awards 0 5 BAFTA Awards 1 6 Golden Globe Awards 0 1 This is a list of awards and nominations received by Yorgos Lanthimos. Lanthimos is a Greek film and stage director, producer, and screenwriter. He received three Academy Award nominations for Best Original Screenplay for The Lobster (2015) and Best Picture and Best Director for ...
Richard Bernstein of The New York Times was unfavorable toward the work; he stated that there were "extraordinary scenes", but argued that "when the end comes, the viewer is left [...] with the vague unsettled feeling that, aside from gaining the knowledge that exile is emptiness, two and a half hours in the presence of much onscreen joylessness has produced little satisfaction."