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Evangelist portraits are a specific type of miniature included in ancient and mediaeval illuminated manuscript Gospel Books, and later in Bibles and other books, as well as other media. Each Gospel of the Four Evangelists, the books of Matthew, Mark, Luke, and John, may be prefaced by a portrait of the Evangelist, usually occupying a full page.
The Evangelist portraits that precede each of the books in the Echternach Gospels depict the symbols of the Evangelists in a very flat representation surrounded by geometric patterns. The tradition of portraying each author's portrait comes from the late antique Roman style of manuscript illumination. [ 2 ]
The Barberini Gospels contains one illuminated canon table, four Evangelist portraits, and fifteen decorated initials.The book follows a fairly standard format in which each separate Gospel book opens with an evangelist portrait of the author and a large decorated initial, or incipit, at the beginning of the text.
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For most illuminated manuscript portraits, the Evangelist typically occupied a full page. Though numerous examples of Late Antique portraits featured each figure in a standing position, the Evangelists were predominantly depicted in a seated position at a writing desk or with a book or scroll, both in reference to the Gospels.
The location of the portrait of Otto in the book between the canon tables and the portrait of St. Mathew, the first evangelist, is where a portrait of Christ is found in other gospel books. The perfection in this portrait of Otto is in the details, the colors and the representation of the figures. [4]
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In the groin-vault are four Evangelist portraits; they write or show their work (apart St. Mark, who is cutting his pen with a knife), flanked by their symbols. In reference to the figure, they are: St. John the Evangelist (1 yellow) St. Matthew (2 yellow) St. Luke (3 yellow) St. Mark (4 yellow)