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"Don't Be Cruel" made No. 14 on the Dutch Nationale Hitparade in May 1975. [6] His next record, a remake of his 1960 debut song "Tribute to Buddy Holly", hit No. 2 in October of that same year. [ 6 ] In 1977, "I'm a Rocker", released on Flemish record label Scramble Records (owned by Radio Mi Amigo DJ Norbert), failed to chart.
"Don't Be Cruel" is a song that was recorded by Elvis Presley and written by Otis Blackwell in 1956. [1] It was inducted into the Grammy Hall of Fame in 2002. In 2004, it was listed #197 in Rolling Stone's list of 500 Greatest Songs of All Time .
Otis Blackwell (February 16, 1931 – May 6, 2002) was an American songwriter whose work influenced rock and roll.His compositions include "Fever" (recorded by Little Willie John), "Great Balls of Fire" and "Breathless" (recorded by Jerry Lee Lewis), "Don't Be Cruel", "All Shook Up", and "Return to Sender" (with Winfield Scott; recorded by Elvis Presley), and "Handy Man" (recorded by Jimmy Jones).
Harry also reunited with Blondie keyboardist Jimmy Destri for a cover of Otis Blackwell's "Don't Be Cruel" for the 1995 album Brace Yourself! A Tribute to Otis Blackwell . During this period, she also recorded a duet with actor Robert Jacks titled "Der Einziger Weg (The Only Way)", a theme for the horror film Texas Chainsaw Massacre: The Next ...
In 1999, the band recorded a cover of Big Star's 1972 song "In the Street" that was used as the theme song for the Fox sitcom That '70s Show. Cheap Trick ended the song with the lyric "We're all all right," which was drawn from their own 1978 song "Surrender". [37] Vocalist Robin Zander performing at Gulfstream Park in 1999.
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It was a star-studded celebration for the late Jimmy Buffett. An eclectic group of performers and artists gathered at the Hollywood Bowl on Thursday, April 11 to pay tribute to the iconic singer ...
The recordings show Elvis, the most nationally and internationally famous of the four at the time, to be the focal point of what was a casual, spur-of-the-moment gathering of four artists who would each go on to contribute greatly to the seismic shift in popular music in the late 1950s.