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Instruments in gamelan gong kebyar offer a wide range of pitches and timbres, ranging five octaves from the deepest gongs to the highest key on a gangsa. The high end can be described as "piercing", the low end "booming and sustained," while the drums as "crisp". Kebyar instruments are most often grouped in pairs, or "gendered."
Javanese and Balinese gong kebyar: Traditional University of Hawaiʻi Gamelan Ensemble. The ensemble has also begun performing kecak [3] Illinois: Chicago: Chicago Balinese Gamelan (CBG) Balinese gong kebyar: Traditional music and dance Community ensemble, founded 2017. Friends of the Gamelan (FROG)
Modern forms of Balinese gamelan include kebyar, an energetic style played by clubs, which generally compose their own music. An extensive study of gamelan gong kebyar is found in Gamelan Gong Kebyar: The Art of Twentieth-Century Balinese Music (2000) by Michael Tenzer , ISBN 0-226-79281-1 and ISBN 0-226-79283-8 .
The ugal features mainly in gamelan gong kebyar, where it carries the central melody (pokok) of the piece. Sometimes it may give its melodic duty to the jublag, where it then takes over as the leader of a kotekan. There is often only one ugal in the kebyar ensemble, and it is usually deeper toned. It is played by one of the leaders of the ensemble.
Gamelan angklung [1] Gamelan batel; Gamelan bebonangan; Gamelan beleganjur; Gamelan gambang; Gamelan gambuh; Gamelan gandrung; Gamelan gender wayang; Gamelan gong gede; Gamelan gong kebyar; Gamelan gong luang; Gamelan gong saron; Gamelan gong suling; Gamelan jegog; Gamelan joged bumbung; Gamelan pearjaan; Gamelan pelegongan; Gamelan selunding ...
An example of kotekan empat (H=high, L=low) depicting the sangsih part (top), the polos part (middle), and their composite (bottom) [1]. Kotekan is a style of playing fast interlocking parts in most varieties of Balinese Gamelan music, including Gamelan gong kebyar, Gamelan angklung, Gamelan jegog and others.
The Music of Java embraces a wide variety of styles, both traditional and contemporary, reflecting the diversity of the island and its lengthy history.Apart from traditional forms that maintain connections to musical styles many centuries old, there are also many unique styles and conventions which combine elements from many other regional influences, including those of neighbouring Asian ...
Selisir is the most often encountered, being the tuning of the popular Gamelan gong kebyar, and may be considered the "default" pelog scale. Two other modes, baro and lebeng , are known from gambuh and semar pegulingan , but are rarely used and more loosely defined. [ 6 ]