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Kalamandalam Kallyanikutty Amma (1915 – 1999) was an epoch-making Mohiniyattam danseuse from Kerala in southern India. [1] A native of Thirunavaya in Malappuram district of the state, she was instrumental in resurrecting Mohiniyattam from a dismal, near-extinct state into a mainstream Indian classical dance, rendering it formal structure and ornamentation.
Performer at a Kannur district school dance festival, 2009. Mohiniyattam is an Indian classical dance form originating from the state of Kerala. [1] [2] The dance gets its name from Mohini – the female enchantress avatar of the Hindu deity Vishnu, who helps the devas prevail over the asuras using her feminine charm.
Kottakkal Sivaraman (9 Jan 1936 – 19 July 2010) [1] was a performing artiste who revolutionised the portrayal of female roles in Kathakali, the classical dance-drama from Kerala in southern India. Career
Kerala Natanam (Kerala Dance) is a new style of dance that is now recognised as a distinct art form evolved from Kathakali, a form of Indian dance-drama.The Indian dancer Guru Gopinath a well-trained Kathakali artist and his wife Thankamani Gopinath who was the first student of Mohiniyattam in Kerala Kalamandalam developed a unique structure for teaching and performing classical dance forms of ...
Indian classical dance, or Shastriya Nritya, is an umbrella term for different regionally-specific Indian classical dance traditions, rooted in predominantly Hindu musical theatre performance, [1] [2] [3] the theory and practice of which can be traced to the Sanskrit text Natya Shastra.
Kathakali is different from a similar-sounding Kathak, though both are Indian classical dance traditions of "story play" wherein the stories have been traditionally derived from the Hindu epics and the Puranas. Kathak is an ancient performance art that emerged in North India, with roots in traveling bards retelling mythical and spiritual ...
An example of this dance is the Mohiniyattam of Kerala. [8] There are described to be four forms of the Lasya: Srinkhala, Lata, Pindi, and Bhedyaka. [9] Professor Inayat Khan in his book Munqar Musicar (1912) wrote: "Women and men both perform this dance and there are a number of recognized masters of it in India.
The dance in Mayilpeeli Thookkam is known as Pyattu. The movements are similar to Kalarippayattu techniques. [2] The all-night performance of the dance form is usually performed solo or in pairs. The strictly rhythm-based songs called "Kavithangal" depict stories from the Hindu Puranas. Each "Kavitham" is composed to suit a specific rhythm.