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The primary act of carnival is the mock crowning and subsequent de-crowning of a carnival king. It is a "dualistic ambivalent ritual" that typifies the inside-out world of carnival and the "joyful relativity of all structure and order". [3] The act sanctifies ambivalence toward that which is normally considered absolute, single, or monolithic.
Carnival and debauchery is also a running theme in the paintings of Pieter Bruegel the Elder, painted during the 16th century. The " culture of popular laughter " is a cultural-historical term coined by the literary critic Mikhail Bakhtin in his book Rabelais and His World (1965).
Mikhail Mikhailovich Bakhtin (/ b ʌ x ˈ t iː n / bukh-TEEN; Russian: Михаи́л Миха́йлович Бахти́н, IPA: [mʲɪxɐˈil mʲɪˈxajləvʲɪdʑ bɐxˈtʲin]; 16 November [O.S. 4 November] 1895 – 7 March [2] 1975) was a Russian philosopher and literary critic who worked on the philosophy of language, ethics, and literary theory.
John Heald (born 22 January 1965) is the Brand Ambassador and senior cruise director of Carnival Cruise Lines and a blogger for the cruise line. He first became a Carnival cruise director in 1990. In 2004, he was named the senior cruise director of Carnival. Heald blogs about the daily occurrences in his career as a cruise director.
Writing for Turner Classic Movies, critic Richard Harland Smith described the film as "junk drawer cinema at its most impossible to close" and "loose-knit to the point of unraveling," but opined that "it's precisely this threadbare, developed-in-the-bathroom-sink aesthetic that explains the film's confounding charm" and that the film is ...
For carnival scenes taking place in the cootch show or in cities, however, contemporary pop music, blues, folk, and ethnic music is played. [ 30 ] [ 32 ] One of the most defining songs of Carnivàle is the 1920s song " Love Me or Leave Me " sung by Ruth Etting , which is used in several episodes to tie characters in the two worlds thematically.