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During the ceremony, around 500 prisoners would be sacrificed. As many as 4,000 were reported killed in one of these ceremonies in 1727. [5] [6] [7] Most of the victims were sacrificed through decapitation, a tradition widely used by Dahomean kings, and the literal translation for the Fon name for the ceremony Xwetanu is "yearly head business". [8]
In Trinidad and Tobago many Christians participate in a "wake" in the days leading up to the funeral service which resembles the 'nine night' traditions of other islands. In this country, Christians celebrate the "nine-night" service nine days after the death of the deceased which may coincide with a few days after the funeral service and burial.
There were many different reasons to hold a potlatch in Athabaskan culture, including the birth of a child, a surplus of food, or a death in the clan. The most elaborate of Athabaskan potlatches was the mortuary or funeral potlatch. [2] This marked "the separation of the deceased from society and is the last public expression of grief." [4]
Ceremonies were designated to protect, heal or cleanse. The energy generated by the people and more importantly the shaman dictated the connection with the spirits and effectiveness of results. A popular after-death ceremony being a potlatch, allowed for the shaman to offer a smooth transition to the yega of the deceased.
Traditional African religions generally hold the beliefs of life after death (a spirit world or realms, in which spirits, but also gods reside), with some also having a concept of reincarnation, in which deceased humans may reincarnate into their family lineage (blood lineage), if they want to, or have something to do.
[4] [page needed] According to Irish mythology, Samhain (like Bealtaine) was a time when the 'doorways' to the Otherworld opened, allowing supernatural beings and the souls of the dead to come into our world; while Bealtaine was a summer festival for the living, Samhain was essentially a festival for the dead.
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Rukidi was the world's youngest monarch at the time, being only three years old. The boy was awakened at 2AM, then led to the palace where the rites would take place. At the entrance, Rukidi and his entourage engaged in a mock battle with a "rebel" prince, then entered to the accompaniment of the Omujaguza, the traditional Toro war-drum. [10]