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The golden spiral is a logarithmic spiral that grows outward by a factor of the golden ratio for every 90 degrees of rotation (pitch angle about 17.03239 degrees). It can be approximated by a "Fibonacci spiral", made of a sequence of quarter circles with radii proportional to Fibonacci numbers.
Golden spirals are self-similar. The shape is infinitely repeated when magnified. In geometry, a golden spiral is a logarithmic spiral whose growth factor is φ, the golden ratio. [1] That is, a golden spiral gets wider (or further from its origin) by a factor of φ for every quarter turn it makes.
logarithmic spiral (also known as equiangular spiral) 1638 [4] = Approximations of this are found in nature Fibonacci spiral: circular arcs connecting the opposite corners of squares in the Fibonacci tiling: approximation of the golden spiral golden spiral
Visible patterns in nature are governed by physical laws; for example, meanders can be explained using fluid dynamics. In biology , natural selection can cause the development of patterns in living things for several reasons, including camouflage , [ 26 ] sexual selection , [ 26 ] and different kinds of signalling, including mimicry [ 27 ] and ...
Approximations of this are found in nature. Spirals which do not fit into this scheme of the first 5 examples: A Cornu spiral has two asymptotic points. The spiral of Theodorus is a polygon. The Fibonacci Spiral consists of a sequence of circle arcs. The involute of a circle looks like an Archimedean, but is not: see Involute#Examples.
The golden spiral (red) and its approximation by quarter-circles (green), with overlaps shown in yellow A logarithmic spiral whose radius grows by the golden ratio per 108° of turn, surrounding nested golden isosceles triangles. This is a different spiral from the golden spiral, which grows by the golden ratio per 90° of turn. [58]
Examples can be found in composite flowers and seed heads. The most famous example is the sunflower head. This phyllotactic pattern creates an optical effect of criss-crossing spirals. In the botanical literature, these designs are described by the number of counter-clockwise spirals and the number of clockwise spirals.
According to Stephen Skinner, the study of sacred geometry has its roots in the study of nature, and the mathematical principles at work therein. [5] Many forms observed in nature can be related to geometry; for example, the chambered nautilus grows at a constant rate and so its shell forms a logarithmic spiral to accommodate that growth without changing shape.