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Seeking Asylum (Italian: Chiedo asilo) is a 1979 Italian comedy film directed by Marco Ferreri. It was entered into the 30th Berlin International Film Festival where it won the Silver Bear - Special Jury Prize .
Ciao, Professore! (lit. ' Hello, Professor! '; original title: "Io speriamo che me la cavo", which is a grammatically erroneous phrase meaning "Let's hope that I scrape by (the Judgement Day)" taken from Raffaele's homework essay) is a 1992 Italian "fish out of water" comedy film about an elementary school teacher from northern Italy who is sent by mistake to an impoverished town in the Naples ...
He studied under Roberto Bianco (piano), Franco Donatoni [1] (composition), Salvatore Enrico Failla (musicology) and Ferdinand Leitner (conducting). He is Professor of History of Music and Assistant Headmaster at the Conservatorio Vincenzo Bellini , [2] and Headmaster at the CEU. In 1988 he was awarded the international prize "Council of Europe".
Roberto Assagioli (27 February 1888 – 23 August 1974) was an Italian psychiatrist and pioneer in the fields of humanistic and transpersonal psychology.Assagioli founded the psychological movement known as psychosynthesis, which is still being developed today by therapists and psychologists who practice the psychological methods and techniques he developed.
Roberto Remigio Benigni Cavaliere di Gran Croce OMRI [1] (/ b ə ˈ n iː n i /; Italian: [roˈbɛrto beˈniɲɲi]; born 27 October 1952) is an Italian actor, comedian, screenwriter and director. He gained international recognition for writing, directing and starring in the Holocaust comedy drama film Life Is Beautiful (1997), for which he ...
The film starts in a sun-baked and seemingly empty Rome on an August morning during the Ferragosto national holiday.A young, timid law student, Roberto, gazing out his window, is asked by a 36-ish man named Bruno, who is passing on the street below at the wheel of a convertible Lancia Aurelia, to make a phone call for him.
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He's surprised that "this movie was a monster hit — the biggest moneymaker in Italian movie history." [ 8 ] Scholars, on the other hand, see the film as attack on the "conformity" and "compulsory consumption" brought about by Berlusconi ’s media society within a discussion of Benigni’s roots in the Commedia dell’arte and a reflection on ...