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In 1970, rock musician Ringo Starr surprised the public by releasing an album of Songbook songs from the 1920s, 1930s, and 1940s, Sentimental Journey.Reviews were mostly poor or even disdainful, [25] but the album reached number 22 on the US Billboard 200 [26] and number 7 in the UK Albums Chart, [27] with sales of 500,000.
The song still holds the record for the longest song-title ever to hit the UK chart. [3] [4] As hinted by the title, the song follows a man happy to be with his romantic partner: "And I end up crying, but listen/ I can be a millionaire/ Honey when you're standing there/ You're so exciting/ You can make me dance."
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
Songs that make you feel something, I love a deep house track that gets my heart rate up, makes me want to dance, and while I love lyrics, I genuinely crave the way these songs make me feel ...
English: Music and lyrics of the song "Good Morning to All", with third verse "Happy Birthday to You", printed in 1915 in Golden Book Of Favorite Songs unauthorized publication, which do not credit Hill’s 1893 melody.
"Stand by Me" is a song originally performed in 1961 by American singer-songwriter Ben E. King and written by him, along with Jerry Leiber and Mike Stoller, who together used the pseudonym Elmo Glick. According to King, the title is derived from, and was inspired by, a spiritual written by Sam Cooke and J. W. Alexander called "Stand by Me Father", recorded by the Soul Stirrers
Musically, the song was initially composed in the key of C major, largely based on a reiterating piano riff performed. David's lyrics tells the tale of a distraught lover, who after getting dumped by his girlfriend browses through his "little red book" and taking out several girls to dance in a vain effort to get over her.
I had a song, "Time for Me to Fly" on the You Can Tune a Piano but You Can't Tune a Fish album. One of our producers turned that down for 1976 R.E.O. album. It ended up a couple of years later on Tuna a.. He told me it was a crummy song; it only had three chords; it was too slow. It wasn't an REO Speedwagon song. I started thinking "I like this ...