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When it was purchased some months later, the word "Skull" was added to the title and has accompanied the painting ever since, through numerous exhibitions. Hoffman suggests the change in title was "the result of confusing the work with the more traditional iconography of the memento mori, in which a skull implies death." [2]
The human skull is an obvious and frequent symbol of death, found in many cultures and religious traditions. [1] Human skeletons and sometimes non-human animal skeletons and skulls can also be used as blunt images of death; the traditional figures of the Grim Reaper – a black-hooded skeleton with a scythe – is one use of such symbolism. [2]
The rear wound corresponds with the small entry wound above. The skull fragments are shown exploded for illustrative purposes; most stayed attached to the skull by skin flaps, which are being pulled forward by the gloved hand in the drawing made from an autopsy illustration and visible in the colored photograph on the right.
Image credits: historycoolkids #3. Ronald (left) and Carl McNair (right) were born 10 months apart in the Segregated South. The two were inseparable as toddlers and well into adulthood.
Totenkopf (German: [ˈtoːtn̩ˌkɔpf], i.e. skull, literally "dead person's head") is the German word for skull. The word is often used to denote a figurative, graphic or sculptural symbol, common in Western culture, consisting of the representation of a human skull – usually frontal, more rarely in profile with or without the mandible .
Viruses are among the biggest threats to humanity, with the current pandemic showing how these pathogens can shut down countries, halt entire industries and cause untold human suffering as they ...
Despite the deprivations, Grateful Life beat jail and it gave addicts time to think. Many took the place and its staff as inspiration. They spent their nights filling notebooks with diary entries, essays on passages from the Big Book, drawings of skulls and heroin-is-the-devil poetry.
In 1887–88, van Gogh painted two more paintings with skulls, the only other works of his (besides a drawing from the same period) to use skulls as a motif. [2] The work measures 32 by 24.5 centimetres (12.6 in × 9.6 in). It is considered a vanitas or memento mori, at a time when van Gogh himself was in poor health.