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Chinese character Qi (气), Spring and Autumn period The clouds physical characteristics (being wispy and vaporous in nature) were associated with the Taoist concept of qi (气; 氣), especially yuanqi, [3]: 133 and the cosmological forces at work; [1] [note 4] i.e. the yuanqi was the origins of the Heavens and Earth, and all things were created from the interaction between the yin and yang.
Painting of the Amida Buddha descending from heaven in a raigō procession (14th century) Raigō ( Japanese : 来迎 , lit. "welcoming approach"; Sanskrit : pratyudyāna ) in Japanese Buddhism is the appearance of the Amida Buddha on a "purple" cloud (紫雲) at the time of one's death.
Ascension of Christ and Noli me tangere, c. 400, ivory, Milan or Rome, now in Munich.See below for a similar Ascension 450 years later.. New Testament scenes that appear in the Early Christian art of the 3rd and 4th centuries typically deal with the works and miracles of Jesus such as healings, the multiplication of the loaves or the raising of Lazarus. [3]
Two images were used to describe it: either as a dome, or as a tent; the latter inspired from biblical references, though the latter is without an evident precedent. [38] As for its composition, just as in cuneiform literature the rabbinic texts describe that the firmament was made out of a solid form of water, not just the conventional liquid ...
The 2nd-century Roman writer and philosopher Apuleius in his Apologia says "What is the cause of the prismatic colours of the rainbow, or of the appearance in heaven of two rival images of the sun, with sundry other phenomena treated in a monumental volume by Archimedes of Syracuse." [22]
Noctilucent clouds form mostly near the polar regions, [7] because the mesosphere is coldest there. [15] Clouds in the southern hemisphere are about 1 km (3,300 ft) higher than those in the northern hemisphere. [7] Ultraviolet radiation from the Sun breaks water molecules apart, reducing the amount of water available to form noctilucent clouds.