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Thomas J. DiLorenzo and Charles Adams, writing from the point of view that in academic economics is labeled anarcho-capitalist libertarianism, scavenge the documentary record in an attempt to show Lincoln as a revolutionary centralizer who used national sovereignty to establish corporate-mercantilist hegemony at the expense of genuine economic ...
Thomas James DiLorenzo (/ d i l ə ˈ r ɛ n z oʊ /; born August 8, 1954) is an American author and former university economics professor who is the President of the Ludwig von Mises Institute. [ 2 ] [ 3 ] He has written books denouncing President Abraham Lincoln and is well known among economists for his work chronicling the history of ...
Still, DiLorenzo's work is more of a diatribe against a mostly unnamed group of Lincoln scholars than a real historical analysis." [3] The review in Publishers Weekly called the book a "laughable screed," and suggested that DiLorenzo's main target was "scholars who dominate American universities (most notably Eric Foner)". [4]
In a review of libertarian Thomas E. Woods Jr.'s The Politically Incorrect Guide to American History, in turn Hummel refers to the works by DiLorenzo and Adams as "amateurish neo-Confederate books". Of Woods, Hummel states that the two main neo-Confederate aspects of Woods' work are his emphasis on a legal right of secession while ignoring the ...
There are three distinct types of slave song: African music, Afro-American music, and the blending of Negro music with the songs of Caucasians. The New World slave came to constitute its own people with a separate and unique culture and experience – one of long-suffering and struggle, but also one of hope and solidarity.
Frederick Douglass was an escaped slave and abolitionist author. In his 19th-century autobiography, Narrative of the Life of Frederick Douglass, an American Slave (1845), Douglass gives examples of how the songs sung by slaves had multiple meanings. His examples are sometimes quoted to support the claim of coded slave songs.
Black gospel music, often called gospel music or gospel, is the traditional music of the Black diaspora in the United States.It is rooted in the conversion of enslaved Africans to Christianity, both during and after the trans-atlantic slave trade, starting with work songs sung in the fields and, later, with religious songs sung in various church settings, later classified as Negro Spirituals ...
The tune known as "Roll, Jordan, Roll" may have its origins in the hymn "There is a Land of Pure Delight" written by Isaac Watts [1] in the 18th century. It was introduced to the United States by the early 19th century, in states such as Kentucky and Virginia, as part of the Second Great Awakening, and often sung at camp meetings.