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Wei wants his audience to look at things with a different perspective. Wei wants to draw out the fine line between reality and fantasy and point it out to the audience. And Wei intends to relay his perception of this world through his photography and performance art. [12]
Liu Wei (Chinese: 刘韡; born 1972 [1] in Beijing) is a Chinese artist based in Beijing.He works in varied media – video, installation, drawing, sculpture, and painting – with no uniting stylistic tendency, though the Saatchi Gallery finds a uniting theme of "a sentiment of excess, corruption, and aggression reflective of cultural anxiety". [2]
Starting in the mid-twentieth century, artists begin to combine traditional Chinese painting techniques with Western art styles, leading to the style of new contemporary Chinese art. One of the representative artists is Wei Dong who drew inspirations from eastern and western sources to express national pride and arrive at personal actualization ...
Mu, Yiqin, "Zhao Mengfu". Encyclopedia of China (Arts Edition), 1st ed.; Zhao Mengfu: Calligraphy and Painting for Khubilai's China; Wang Lianqi, ed., 王連起 （主編），《師古還是求新——趙孟頫的藝術與時代 （上下冊）》(Mastering the Past or Seeking the New: The Art and Times of Zhao Mengfu), Beijing: Renmin meishu chubanshe, 2019.
Jiehua (simplified Chinese: 界画; traditional Chinese: 界畫) painting, sometimes translated as “border painting,” “boundary painting,” or “ruled-line painting,” is a field within Chinese visual art that describes paintings featuring detailed renderings of architecture with shan shui (mountains and rivers) backgrounds and figures, boats, and carts as embellishments.
Artists may choose to "correct" perspective distortions, for example by drawing all spheres as perfect circles, or by drawing figures as if centered on the direction of view. In practice, unless the viewer observes the image from an extreme angle, like standing far to the side of a painting, the perspective normally looks more or less correct.
Chrysanthemums and Bamboos (菊竹图) by Xu Wei, Liaoning Museum Xu Wei's tomb. After General Hu was arrested and lost his job, Xu Wei feared a similar fate for himself. Xu became mentally distraught at this juncture, attempting to commit suicide nine times, such as by axing himself in the skull and drilling both of his ears.
As with many artists in China, his profession was as an official where he studied the existing styles of Li Sixun and Wang Wei. However, he added to the number of techniques, including more sophisticated perspective, use of pointillism and crosshatching to build up vivid effect. Zhan Ziqian was a painter during the Sui dynasty.