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  2. AIMP - Wikipedia

    en.wikipedia.org/wiki/AIMP

    It supports the DirectSound, ASIO and WASAPI audio interfaces, and it uses 32-bit audio processing for its 18-band equalizer and built-in sound effects (Reverb, Flanger, Chorus, Pitch, Tempo, Echo, Speed, Bass, Enhancer, Voice Remover). AIMP can store the currently played media file in RAM, up to 250 MB, ensuring smooth playback.

  3. EasyEffects - Wikipedia

    en.wikipedia.org/wiki/EasyEffects

    EasyEffects (formerly known as PulseEffects) is a free and open-source GTK application for Unix-like systems which provides a large array of audio effects and filters to apply to input and output audio streams.

  4. Equalization (audio) - Wikipedia

    en.wikipedia.org/wiki/Equalization_(audio)

    Equalization, or simply EQ, in sound recording and reproduction is the process of adjusting the volume of different frequency bands within an audio signal. The circuit or equipment used to achieve this is called an equalizer. [1] [2] Most hi-fi equipment uses relatively simple filters to make bass and treble adjustments. Graphic and parametric ...

  5. List of Yamaha Corporation products - Wikipedia

    en.wikipedia.org/wiki/List_of_Yamaha_Corporation...

    C1 / C1/20 (1987) — IBM PC compatible laptop PC for music production (i286@10 MHz), with 8 MIDI ports and Voyetra sequencer. /20 = 20M HD CX5M / CX5F (1984) — MSX computer for music production, with SFG-01 FM synthesizer unit including MIDI I/O

  6. Sound reinforcement system - Wikipedia

    en.wikipedia.org/wiki/Sound_reinforcement_system

    Graphic equalizer. Equalizers are electronic devices that allow audio engineers to control the tone and frequencies of the sound in a channel, group (e.g., all the mics on a drumkit) or an entire stage's mix. The bass and treble controls on a home stereo are a simple type of equalizer.

  7. Smiley face curve - Wikipedia

    en.wikipedia.org/wiki/Smiley_face_curve

    An idealized and extreme smiley face curve shown using a 29-band graphic equalizer. A smiley face curve or mid scoop [1] in audio signal processing is a target frequency response curve characterized by boosted low and high frequencies coupled with reduced midrange frequency power.