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Ramprasad Sen was the first shakta poet to address Kali with such as intimate devotion and to sing of her as a tender loving mother or even as a little girl.
"Maine Tujhko Sada Chaha Hai" Kalyanji-Anandji G. L. Rawal Anwar 36 "Maine Tujhko Sada Chaha Hai" (sad) Coolie: 37 "Mujhe Peene Ka Shock Nahin" Laxmikant-Pyarelal Anand Bakshi Shabbir Kumar: Ghungroo: 38 "Jo Safar Pyaar Se" Kalyanji-Anandji Prakash Mehra Udit Narayan Kaun Hai Woh: 39 "Haye Allah Yeh Mard Hai Kaise" Kamal Kant Asad Bhopali ...
National Film Award for Best Lyrics [125] [126] Thaimadha Megam adhu: Thottu Paarungal: Thaimadha Megan -2: 1968: Lakshmi Kalyanam: Brindhavanathukku: M. S. Viswanathan: Tamil Nadu State Film Award for Best Lyricist [127] [3] Raman Ethanai Ramanadi: Sindhu Bhairavi [18] Yaaradaa Manithan: Thanga Thearodum: Poottale Unnaiyum: Pooti Vaitha ...
Mahanati is the soundtrack album composed by Mickey J. Meyer for the 2018 Tollywood film of the same name written and directed by Nag Ashwin and produced by C. Ashwini Dutt, Swapna Dutt, and Priyanka Dutt under the banners Vyjayanthi Movies and Swapna Cinema.
Maa Ki Shakti 1036 Annapurna Mata: Triveni - Bhawani: Solo 1037 "Durga Hamari Hai Maa Bholi Bhali" Vinod Rathod Maahir 1038 "Deewana Pan Hain Yeh" Bappi Lahiri: Mohd Aziz Masoom 1039 "Sojaa Mere Laadle" (Sad) Anand Raaj Anand: Abhijeet 1040 "Sojaa Mere Laadle" Maun -The Silence 1041 "Happy New Year" M M Keeravani: Solo 1042 "Bum Bum Bhole ...
Shyama Sangeet (Bengali: শ্যামা সঙ্গীত) is a genre of Bengali devotional songs dedicated to the Hindu goddess Shyama or Kali which is a form of supreme universal mother-goddess Durga or parvati.
Maa: 42 "Jiyo Jiyo Mere Laal" S.K. Pal Bharat Vyas Manna Dey, Arun Kumar Mukherjee Nazaria: 43 "Are Re Mujhe Jaane Do" Bhola Shreshtha P. L. Santoshi Asha Bhosle 44 "Carein Hai Beqaraar" solo 45 "Rasili Hai Ankhen" 46 "Yeh Kaali Ghata" Shamshad Begum Rangili: 47 "Baiyan Chhodo Balam" Chic Chocolate Raja Mehndi Ali Khan solo Saloni: 48
Shuddha Saveri scale with shadjam at C. Shuddha Saveri is a symmetric rāgam that does not contain gāndhāram or nishādam.It is a pentatonic scale (audava-audava ragam in Carnatic music classification – audava meaning 'of 5').