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Nocturne in E-flat major, Op. 55, No. 2. The second nocturne in E ♭ major features a 12 8 time signature, triplet quavers in the bass, and a lento sostenuto tempo marking. The left-hand features sweeping legato arpeggios from the bass to the tenor, while the right-hand often plays a contrapuntal duet and a soaring single melody.
One aspect of the nocturne that Chopin continued from Field is the use of a song-like melody in the right hand. This is one of the most if not the most important features to the nocturne as a whole. The use of the melody as vocals bestowed a greater emotional depth to the piece, drawing the listener in to a greater extent. [ 5 ]
The Nocturne No. 20 in C ♯ minor, Op. posth., Lento con gran espressione, P 1, No. 16, KKIVa/16, WN 37, is a solo piano piece composed by Frédéric Chopin in 1830 and published in 1875. Chopin dedicated this work to his older sister Ludwika Chopin , with the statement: "To my sister Ludwika as an exercise before beginning the study of my ...
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Nocturne (No. 22) a.k.a. Nocturne oublié(e) C-sharp minor KK Anh Ia/6 A1/6 Spurious [2] Polonaises (several) "early" KK. Vf Lost 2 Polonaises 1818 Lost; presented on 26 September 1818 to the Empress Maria Fyodorovna, mother of Tsar Alexander I of Russia, on the occasion of her visit to Warsaw Polonaise 1825 KK. Vf
Ottorino Respighi: one piano nocturne as part of his Six Piano Pieces R.44 (1904) Erik Satie: five for solo piano (1919) Maria Schneider: Nocturne, on her album Allégresse (2000) Clara Schumann (Clara Josephine Wieck): Nocturne in F major Op.6 No.2 from Soirées Musicales (1819–1896) Robert Schumann: four Nachtstücke
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