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Nocturne in E-flat major, Op. 55, No. 2. The second nocturne in E ♭ major features a 12 8 time signature, triplet quavers in the bass, and a lento sostenuto tempo marking. The left-hand features sweeping legato arpeggios from the bass to the tenor, while the right-hand often plays a contrapuntal duet and a soaring single melody.
4 time. The first section, marked Larghetto , features an intricate, elaborately ornamental melody over an even quaver bass. The second section, labeled doppio movimento (double speed), resembles a scherzo with dotted quaver-semi quaver melody, semiquavers in a lower voice in the right hand, and large jumps in the bass.
One aspect of the nocturne that Chopin continued from Field is the use of a song-like melody in the right hand. This is one of the most if not the most important features to the nocturne as a whole. The use of the melody as vocals bestowed a greater emotional depth to the piece, drawing the listener in to a greater extent. [ 5 ]
Ottorino Respighi: one piano nocturne as part of his Six Piano Pieces R.44 (1904) Erik Satie: five for solo piano (1919) Maria Schneider: Nocturne, on her album Allégresse (2000) Clara Schumann (Clara Josephine Wieck): Nocturne in F major Op.6 No.2 from Soirées Musicales (1819–1896) Robert Schumann: four Nachtstücke
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H 24 – Nocturne for piano No. 1 in E-flat major – 1812; H 25 – Nocturne for piano No. 2 in C minor – 1812; H 26 – Nocturne for piano No. 3 in A-flat major – 1812; H 36 – Nocturne for piano No. 4 in A major – 1817; H 37 – Nocturne for piano No. 5 in B-flat major – 1817; H 40 – Nocturne for piano No. 6 "Cradle Song" in F ...
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Well, that didn’t take long. Just one week after Castlevania: Nocturne premiered on Netflix, the animated series has been renewed for a second season, TVLine has learned. “Thanks to all of the ...