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Bob Gaudio: 1 3 12 1985: Divine, #23 UK 1986: The Mary Jane Girls, #41 pop, #91 R&B "Don't Mention My Name" The Shepherd Sisters: Bob Gaudio: 94 - - "Whatever You Want" Jerry Butler: Bob Gaudio: 68 - - "Soon (I'll Be Home Again) " The Four Seasons Bob Gaudio: 77 - - "New Mexican Rose" The Four Seasons Charles Calello: 36 - - "That's the Only ...
Bob Crewe himself (recording as The Bob Crewe Generation) released a version of Sid Ramin's 1967 instrumental "Music to Watch Girls By" (originally composed as a Diet Pepsi commercial jingle) on DynoVoice. [3] The song became a Top 20 hit. [3] and spawned another successful instrumental version by Al Hirt and a vocal hit by Andy Williams.
Pages in category "Songs written by Bob Crewe" The following 28 pages are in this category, out of 28 total. This list may not reflect recent changes. B.
American record producer Bob Crewe, best known for his work with the Four Seasons, had heard the Unit 4 + 2 hit version of "Concrete and Clay" while on a trip to the UK.. As a result, Crewe had a cover version of "Concrete and Clay" cut by Eddie Rambeau, a staff writer at Crewe's music publishing firm, which was the inaugural release for Crewe's own DynoVoice Recor
"Bye, Bye, Baby (Baby, Goodbye)" is a popular song written by Bob Crewe and Bob Gaudio (a member of The Four Seasons). The Four Seasons' version of the song made it to No. 1 in Canada [1] and No. 12 on the US Billboard Hot 100 in 1965. [2] On the original issue of the single, the title was "Bye Bye Baby".
In May 1957, songwriter Bob Crewe saw a couple embracing through a windowshade as he passed on a train. He quickly set about turning the image into a song. Frank Slay, who owned the small Philadelphia record label XYZ with Crewe, added lyrics, and they soon had a complete song ready to record. [1]
The label existed until 1969 when it was merged into the Crewe Group of Companies (CGC) label. Some of the label's best-known releases include The Bob Crewe Generation's hit "Music to Watch Girls By", the soundtrack album for Dino de Laurentiis's camp sci-fi film Barbarella, and material by Mitch Ryder and the Detroit Wheels.
The duo intended to record it with Eighth Wonder as a follow-up to "I'm Not Scared"; instead, they recorded it themselves several years later, as they "needed a big hit. It was absolutely shameless." [ 4 ] Having "turn[ed] a mythic rock song into a stomping disco record", [ 5 ] the duo considered recording a full EP of hi-NRG covers of rock ...