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Women in Cages; Women in Cell Block 7; Women in Cellblock 9; Women in Chains; Women of Devil's Island; Women Prison; Women Without Men (1956 film) Women Without Names (1940 film) Women's Prison (1955 film) Women's Prison Massacre
Chained Heat (alternate title: Das Frauenlager in West Germany) is a 1983 American-West German exploitation film in the women-in-prison genre. It was co-written and directed by Paul Nicholas (as Paul Nicolas) for Jensen Farley Pictures. [3] Producer was Paul Fine, who had previously produced The Concrete Jungle.
Girls in Prison is a 1956 American sexploitation women in prison drama film about a young woman who is convicted of being an accomplice to a bank robbery and is sent to an all-female prison. The film was directed by Edward L. Cahn , and stars Richard Denning , Joan Taylor , and Mae Marsh .
Randolph then sexually assaults Belle, which is witnessed by Lavelle. On the lam, Jacqueline and Maggie attempt a bank robbery, but a gang of male robbers have beaten them to it. Officers arrive outside the bank, and the women escape. Jacqueline decides to return to the prison to free the other inmates. Maggie initially resist, but changes her ...
Based on Piper Kerman’s 2010 memoir, Orange Is the New Black: My Year in a Women's Prison, the series follows PR exec Piper Chapman (Schilling) as she adjusts to life in a minimum-security women ...
The women in prison film (or WiP film) is a subgenre of exploitation film that began in the early 20th century and continues to the present day. [1]Their stories feature imprisoned women who are subjected to sexual and physical abuse, typically by sadistic male or female prison wardens, guards and other inmates.
Leonard Maltin's TV Movies & Video Guide ranks the film as "Average", stating that "Good production tries hard, but script is unbelievable, performances uneven", while the write-up in Michael Weldon's Psychotronic Encyclopedia of Film opens with "The first women's prison TV-movie stars Ida Lupino as a sadistic warden (see Women's Prison of '55)."
The Los Angeles Times called it "your typically, lurid, brutal women's prison exploitation icture cranked a coupe of notches above the usual, thanks to some verse, vivid acting under Bruce Logan's dynamic direction." [2] The Evening Sun said "it would be best to check all reason at the door." [3]