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Polyphony (/ p ə ˈ l ɪ f ə n i / pə-LIF-ə-nee) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice or a texture with one dominant melodic voice accompanied by chords ().
This still affects today's chanson as many French musicians still employ harp and keyboard. During the 18th century, vocal music in France was dominated by opera , but solo song underwent a renaissance in the 19th century, first with salon melodies and then by mid-century with highly sophisticated works influenced by the German Lieder , which ...
Today's composers are employing polytempi as a compositional strategy to create total and complete independence of line in polyphonic music. Composers such as Conlon Nancarrow , David A. Jaffe , Evgeni Kostitsyn, Kyle Gann , Kenneth Jonsson, John Arrigo-Nelson, Brian Ferneyhough , Karlheinz Stockhausen , Frank Zappa , and Peter Thoegersen have ...
Jul. 9—Music can move us from darkness to light. Polyphony: Voices of New Mexico is performing a suite of songs at the Cathedral of St. John on Friday, July 12. The varied program was designed ...
Polyphonic overtone singing Pachelbel's Canon, performed by Wolfgang Saus Chirgilchin performing various styles of Tuvan throat singing.. Overtone singing, also known as overtone chanting, harmonic singing, polyphonic overtone singing, or diphonic singing, is a set of singing techniques in which the vocalist manipulates the resonances of the vocal tract to arouse the perception of additional ...
William Byrd (1543–1623), composed "consort songs" with viol consort accompaniment, 1588 collection of Psalms, Sonnets, and Songs; Thomas Morley (1557–1603), his songs may have been used in Shakespeare's plays, well-known song "It was a Lover and his Lass" from his First Book of Ayres, 1607
This is a list of recordings that feature the sound of a Mellotron, a polyphonic tape-replay keyboard developed in the 1960s. This is a dynamic list and may never be able to satisfy particular standards for completeness.
What its advocates call a direct and accessible style of music gives participation of the gathered community higher priority than the beauty added to the liturgy by a choir skilled in polyphony. [22] Music for worship, according to the U.S. Conference of Catholic Bishops, is to be judged by three sets of criteria – pastoral, liturgical, and ...