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Pages in category "German prison films" The following 24 pages are in this category, out of 24 total. This list may not reflect recent changes. 0–9. 14 Days to Life; A.
Clemens Forell is a German Wehrmacht soldier who was captured by the Soviets in 1945. Forell is sentenced to 25 years hard labour for "crimes against the partisans" and sent as part of a large group of prisoners to a Gulag labour camp in the Siberian region of the Soviet Union. After a huge cross-continent railway journey on starvation rations ...
In the winter of 1946, in Leningrad, a group of German prisoners of war are sent to a female transit camp by the cruel Russian Colonel Pavlov (John Malkovich).When they arrive, the Russian female soldiers show hostility to the prisoners on the grounds that have killed their families and friends; only Dr. Natalia (Vera Farmiga) and the cook treat the prisoners with dignity.
Based on the true story of allied prisoners planning a mass escape from a German prison camp, the jauntiness of much of The Great Escape jars with the grim reality of the executions of many of the ...
Stalag 17 is a 1953 American war film directed by Billy Wilder.It tells the story of a group of American airmen confined with 40,000 prisoners in a World War II German prisoner-of-war camp "somewhere on the Danube".
Escape to Victory (or simply Victory) is a 1981 sports war film [3] directed by John Huston and starring Sylvester Stallone, Michael Caine, Max von Sydow and Pelé.The film is about Allied prisoners of war who are interned in a German prison camp during the Second World War who play an exhibition match of football against a German team.
Nazi exploitation (also Nazisploitation) is a subgenre of exploitation film and sexploitation film that involves Nazis committing sex crimes, often as camp or prison overseers during World War II. Most follow the women in prison formula , only relocated to a concentration camp, extermination camp, or Nazi brothel , and with an added emphasis on ...
Nazi soldiers subsequently notice Rogers' passport, and she and Cary Grant's character (both Irish) are put in a concentration camp populated by prisoners in Orthodox Jewish dress. Rogers and Grant are later sprung by the American consulate (as the ultimate point of the film is to portray Hitler's spread throughout Europe).