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Ottoman miniature (Turkish: Osmanlı minyatürü) is a style of illustration found in Ottoman manuscripts, often depicting portraits or historic events. Its unique style was developed from multiple cultural influences, such as the Persian Miniature art, as well as Byzantine and Mongol art.
The Ottoman Empire [k] (/ ˈ ɒ t ə m ə n / ⓘ), also called the Turkish Empire, [23] [24] was an imperial realm [l] that controlled much of Southeast Europe, West Asia, and North Africa from the 14th to early 20th centuries; it also controlled parts of southeastern Central Europe, between the early 16th and early 18th centuries.
The Ottoman dynasty, named after Osman I, ruled the Ottoman Empire from c. 1299 to 1922. During much of the Empire's history, the sultan was the absolute regent, head of state, and head of government, though much of the power often shifted to other officials such as the Grand Vizier .
It was mostly for princes of the court and the Janissaries of the Ottoman Empire. Students here were primarily recruited via devşirme, [1] a system of the Islamization of Christian slave children for serving the Ottoman government in bureaucratic, managerial, and Janissary military positions. [2]
The Palace School (Enderun-i Hümayun Mektebi) was a special school inside of the innermost court of Topkapı Palace that provided the education for the servants of the Ottoman dynasty, who went on to staff the administrative elite of the Ottoman Empire.
Osman is considered the founder of the Ottoman dynasty who started an imperial line that would expand to include 35 sultans – rulers of one of the largest and most powerful empires in world history. The Ottoman Empire lasted until 1918, when it disintegrated after defeat alongside other Central Powers in World War I. Osman is often referred ...
From the 18th century onward, European influences were thus introduced into Ottoman architecture as the Ottoman Empire itself became more open to outside influences. [ 113 ] [ 83 ] The period saw significant influence from the French Rococo style (part of the wider Baroque style ) that emerged around this time under the reign of Louis XV . [ 114 ]
Reconstruction of an Ottoman style library, in the Topkapı Palace museum. As with many Ottoman Turkish art forms, the poetry produced for the Ottoman court circle had a strong influence from classical Persian traditions; [1] a large number of Persian loanwords entered the literary language, and Persian metres and forms (such as those of Ghazal) were used.