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During the 1960s a new series of 'sound effect' comedies began with Dick Lester, Spike Milligan and Peter Sellers's Running Jumping & Standing Still, continued through Eric Sykes's The Plank, Barbara Windsor's San Ferry Ann and included four films with Ronnie Barker: A Home of Your Own, Futtock's End, The Picnic, and By the Sea.
Michael Leslie Winslow (born September 6, 1958) is an American actor, comedian and beatboxer [1] billed as The Man of 10,000 Sound Effects [2] for his ability to make realistic sounds using only his voice. He is best known for his roles in all seven Police Academy films as Larvell Jones.
Wesley Bryon Harrison (January 31, 1925 - July 21, 2019), better known as Wes Harrison and nicknamed Mr. Sound Effects, was an American comedian and voice actor, notable for his ability to create realistic sound effects using only his voice and a Shure 530 Slendyne microphone. [1] Harrison had a comic style reminiscent of Red Skelton.
The scripts mixed ludicrous plots with surreal humour, puns, catchphrases and an array of bizarre sound effects. There were also light music interludes. Some of the later episodes feature electronic effects devised by the fledgling BBC Radiophonic Workshop, many of which were reused by other shows for decades. Elements of the show satirised ...
Mighty Man & Yukk is an animated series created by Ruby-Spears Productions. It aired as part of the 1980–81 show The Plastic Man Comedy/Adventure Show . [ 1 ]
The classic comedy duo of Laurel and Hardy were pioneers in the use of comic sound as they transitioned from silent film to "talkies". [1] Key examples of its use in society and media works are: Flatulence - Various toys have been produced to replicate this sound, i.e., whoopie cushions. Ape or monkey-like noises.
The Primetime Emmy Award for Outstanding Sound Mixing for a Comedy or Drama Series (Half-Hour) and Animation is an award handed out annually at the Creative Arts Emmy Awards. In the following list, the first titles listed in gold are the winners; those not in gold are nominees, which are listed in alphabetical order.
In 1968, radio surreal comedy group The Firesign Theatre revolutionized the concept of the spoken comedy album by writing and recording elaborate radio plays employing sound effects and multitrack recording, which comedian Robin Williams called "the audio equivalent of a Hieronymous Bosch painting."