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Ellipsis is the narrative device of omitting a portion of the sequence of events, allowing the reader to fill in the narrative gaps. Aside from its literary use, the ellipsis has a counterpart in film production. It is there to suggest an action by simply showing what happens before and after what is observed.
In her book on the ellipsis, Ellipsis in English Literature: Signs of Omission, Anne Toner suggests that the first use of the punctuation in the English language dates to a 1588 translation of Terence's Andria, by Maurice Kyffin. [3] In this case, however, the ellipsis consists not of dots but of short dashes. [13] "
Canonical examples of gapping have a true "gap", which means the elided material appears medially in the non-initial conjuncts, with a remnant to its left and a remnant to its right. The elided material of gapping in all the examples below is indicated with subscripts and a smaller font: Some ate bread, and others ate rice.
Answer ellipsis (= answer fragments) is a type of ellipsis that occurs in answers to questions. Answer ellipsis appears very frequently in any dialogue, and it is present in probably all languages. Of the types of ellipsis mechanisms, answer fragments behave most like sluicing, a point that shall be illustrated below.
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
Nominal ellipsis occurs with a limited set of determinatives in English (cardinal and ordinal numbers and possessive determiners), though it is much freer in other languages. The following examples illustrate nominal ellipsis with cardinal and ordinal numbers: Fred did three onerous tasks because Susan had done two onerous tasks.
These examples of not-gapping suggest two things: that not-stripping, and thus stripping in general, is indeed a particular manifestation of the gapping mechanism and that not-stripping is also indeed ellipsis, since the ellipsis analysis of not-gapping is the only plausible analysis.
The examples so far illustrate that pseudogapping is like gapping insofar as the remnants of both ellipsis mechanisms must stand in contrast to the parallel expressions in the antecedent clauses. Another aspect that aligns pseudogapping with gapping is that it must operate forwards; it cannot operate backwards, that is, the gap must follow its ...