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Bernard Lee "Pretty" Purdie (born June 11, 1939) is an American drummer, and an influential R&B, soul and funk musician. [1] He is known for his precise musical time-keeping [2] and his signature use of triplets against a half-time backbeat: the "Purdie Shuffle."
Soul Drums is the debut album by drummer Bernard "Pretty" Purdie, recorded for the Date label in 1967. [ 1 ] [ 2 ] The single "Funky Donkey" reached No. 87 on the Billboard Hot 100 in 1967. [ 3 ]
SAR Records; Severn Records; Shanachie Records; Shout Records; Shrine Records; SM Entertainment; So Fierce Music; SOLAR Records; Soul City Records (American label) Soul City Records (British label) Sound Stage 7; Spring Records; Stax Records
Featured on the albums were funk, R&B, soul, jazz and rock tracks from the 1960s to 1980s that included influential drum breaks. [ 2 ] The albums found high popularity with hip hop producers, with each new release in the series leading to many records featuring samples of the breaks.
Best Soul/Funk Band: Cameo; Best Reggae Act: UB40; ... Creation Records; Live Act of the Year: Blur; Best Rap Artist: ... The Drums Shockwaves NME Awards 2011
This is a list of 1990s music albums that multiple music journalists, magazines, and professional music review websites have considered to be among the best of the 1990s and of all time, separated into the years of each album's release. The albums listed here are included on at least four separate "best/greatest of the 1990s/all time" lists ...
Rich Man (Concord Records, 2016) With Dianne Brooks. Back Stairs in My Life (Reprise Records, 1976) With Elkie Brooks. Live and Learn (A&M Records, 1979) With Peabo Bryson and Natalie Cole. We're the Best of Friends (Capitol Records, 1979) With Solomon Burke. Make Do with What You Got (Shout! Factory, 2005) With Jerry Butler. Power Of Love ...
Clyde Austin Stubblefield (April 18, 1943 – February 18, 2017) was an American drummer best known for his work with James Brown, with whom he recorded and toured for six years (1965-70). His syncopated drum patterns on Brown's recordings are considered funk standards.