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"England Swings" is a 1965 country music song written and performed by American singer-songwriter Roger Miller. The single was Miller's eleventh hit on the US country chart where it peaked at number three. [2] On the Billboard Hot 100, it peaked at number eight and was Miller's second number one on the Easy Listening chart.
"Convoy" is a 1975 novelty song performed by C. W. McCall (a character co-created and voiced by Bill Fries, along with Chip Davis) that became a number-one song on both the country and pop charts in the US and is listed 98th among Rolling Stone magazine's 100 Greatest Country Songs of All Time. [1]
A. Absence of the Heart; Address in the Stars; Ahead of Our Time (song) Ain't Always the Cowboy; Ain't Nothing 'bout You; Ain't the Same; All Cried Out (Kree Harrison song)
CMT Pure Country, the all-music counterpart to CMT, relegated its classic country programming to a daily half-hour block known as "Pure Vintage" before abandoning classic country altogether by 2015. (Complicating matters somewhat is a relative lack of music videos for country music songs before the 1980s.)
1963 – The Country Gentlemen, on Hootenanny: A Bluegrass Special and on Bluegrass Country. 1964 – Ian & Sylvia, Four Strong Winds. 1964 – Bob Dylan – "Silver Dagger" appears on The Bootleg Series Vol. 6: Bob Dylan Live 1964, Concert at Philharmonic Hall album, with Baez singing what she refers jokingly to as "one of Bob's earlier songs ...
The lyrics do not convey their ultimate meaning and emotion because the nouns, verbs, adverbs, and adjectives will have to share the spotlight with less important words. This lessens the listener’s ability to access personal memories through the senses , which in turn lessens the lyric’s emotional impact and relatability.
Emmett's lyrics as they were originally intended reflect the hostile mood of many white Americans in the late 1850s towards increasing abolitionist sentiments in the United States. The song presented the point of view, common to minstrelsy at the time, that slavery in the United States was a positive institution overall .
Period built of two five-bar phrases in Haydn's Feldpartita in B ♭, Hob. II:12. [1] Diagram of a period consisting of two phrases [2] [3] [4]. In music theory, a phrase (Greek: φράση) is a unit of musical meter that has a complete musical sense of its own, [5] built from figures, motifs, and cells, and combining to form melodies, periods and larger sections.