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"Wildwood Weed" is a 1964 country-western parody song written by Don Bowman. It was the first track of Bowman's debut album, Our Man in Trouble..."It Only Hurts When I Laugh" , under RCA Victor . Its most famous version was recorded in 1974 by Jim Stafford and became the fourth of four U.S. Top 40 singles from his eponymous debut album .
Stafford's first chart hit was "Swamp Witch", produced by Lobo, [6] which cracked the U.S. top 40 in July 1973. On March 2, 1974, his biggest hit, "Spiders & Snakes", peaked at number three on the Billboard Hot 100 and number 14 in the BBC Top 50 in the UK, selling over two million copies, earning a gold disc by the RIAA that month. [6]
Jim Stafford is the 1974 debut album from American singer Jim Stafford.It was issued subsequent to the release of the first two singles. The LP reached No. 55 on the U.S. Top LPs chart.
Wildwood Weed; Willie Got Me Stoned; Y. Young, Wild & Free; Z. Zaza (song) This page was last edited on 30 June 2023, at 08:52 (UTC). Text is available under ...
The song is about a man named William/Bill and his friend, the narrator of the song. The lyrics employ double entendre, leading the listener to infer that the men, as the title also suggests, are themselves involved in a romantic relationship. However, in the last verse a twist occurs; the narrator speaks of a woman who has been the men's ...
“And my friends all smell like weed or little babies / And this city reeks of driving myself crazy / Little did you know your home’s really only Breaking Down Taylor Swift's Heartbreak ...
10,000 Maniacs is an American alternative rock band founded in 1981. They have released nine studio albums, six EPs, and five live albums. They achieved their most significant success between 1987 and 1993, when they released four albums that charted in the top 50 in the US: In My Tribe (1987), Blind Man's Zoo (1989), Our Time in Eden (1992), and the live album MTV Unplugged (1993).
Weller's lyrics aren't as complex as his music, but his voice can make a line as ordinary as "Now you're gone, I feel so alone" resonate." [9] Clark Collis from Select said it "proved that he could still pen perfect three-minute pop morsels." [10] Another Select editor, Adam Higginbotham, named it a "pastoral, acoustic number". [11]