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Hillsong (Ultimate Worship, 2005) The O.C. Supertones (Faith of a Child, 2005) Randy Travis (Glory Train: Songs of Faith, Worship, and Praise, 2005) Lincoln Brewster (Let the Praises Ring, 2006) Lenny LeBlanc (Songs 4 Worship: Country, 2007) VeggieTales (“Here i Am To Worship, 2007”) Heather Headley (Audience of One, 2009)
Some Holiness Churches of the Methodist tradition, such as the Free Methodist Church, opposed the use of musical instruments in church worship until the mid-20th century. The Free Methodist Church allowed for local church decision on the use of either an organ or piano in the 1943 Conference before lifting the ban entirely in 1955.
Irish worship band, Rend Collective, in their 2013 album Campfire. [17] Contemporary Christian music group The Katinas in their 2014 album Sunday Set, [18] accompanied by a music video [19] The vocal quintet Veritas in their self-titled 2014 album Veritas [20] The Christian reggae band Christafari in their 2015 album Anthems. Their version ...
The Magnificat, in Latin also canticum Beat(issim)ae Virginis Mariae (the song of the (most) Blessed Virgin Mary), is a common part of Christian worship, for instance traditionally included in vespers, evensong or matins. [1] [2] As such it is often sung and was set to music by various composers.
One of the most widely known hymns in Christian worship, "The Lord's my Shepherd", is a translation of Psalm 23 appearing in the 1650 Scottish Psalter. [14] But by the time better metrical psalms were made in English, the belief that every hymn sung in church had to be a Biblical translation had been repudiated by the Church of England.
The revision of music in the liturgy took place in March 1967, with the passage of Musicam Sacram ("Instruction on music in the liturgy"). In paragraph 46 of this document, it states that music could be played during the sacred liturgy on "instruments characteristic of a particular people." Previously the pipe organ was used for accompaniment.
Hymns and Psalms was the primary hymnbook of the Methodist Church of Great Britain from 1983 until 2010. The hymnbook was first published by the Methodist Publishing House in 1983, to replace the Methodist Hymn-Book, which was published soon after the unification of the Methodist Church in 1933.
Church Music in the Nineteenth Century, in series, Studies in Church Music. New York: Oxford University Press, 1967. 166 p. Robin Sheldon, ed. In Spirit and in Truth: Exploring Directions in Music in Worship Today. London: Hodder & Stoughton, 1989. x, 198 p. ISBN 0-340-48715-1