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The softness of these metals made them effective drawing instruments. [1] Goldsmiths also used metalpoint drawings to prepare their detailed, meticulous designs. Albrecht Dürer 's father was one such craftsman who later taught his young son to draw in metalpoint, to such good effect that his 1484 Self-Portrait at the Age of 13 is still ...
Traditional art history has also placed great emphasis on the individual style, sometimes called the signature style, [28] of an artist: "the notion of personal style—that individuality can be uniquely expressed not only in the way an artist draws, but also in the stylistic quirks of an author's writing (for instance)— is perhaps an axiom ...
In rhetoric, a rhetorical device, persuasive device, or stylistic device is a technique that an author or speaker uses to convey to the listener or reader a meaning with the goal of persuading them towards considering a topic from a perspective, using language designed to encourage or provoke an emotional display of a given perspective or action.
A history of the "Old water-colour" society, now the Royal society of painters in water colours: Volume 1, Volume 2 by John Lewis Roget (London, Longmans, Green, and co., 1891). The ideals of painting by J. Comyns Carr (New York, Macmillan, 1917). An Art history focusing on the ideals that inspired European artists throughout the ages.
Art and Illusion; Art by Women in Florence; Art Deco Architecture: Design, Decoration and Detail from the Twenties and Thirties; Art Deco of the 20s and 30s; Art in the San Francisco Bay Area (book) Art: A History of Painting, Sculpture, and Architecture; Artists in biographies by Filippo Baldinucci; Arts of Mankind; The Automatic Message
The book had a wide impact in art history, [1] but also in history (e.g. Carlo Ginzburg, who called it "splendid" [2]), aesthetics (e.g. Nelson Goodman's Languages of Art [3]), semiotics (Umberto Eco's Theory of Semiotics [4]), and music psychology (Robert O. Gjerdingen's schema theory of Galant style music). In Art and Illusion, Gombrich ...
Heinrich Wölfflin (German: [ˈhaɪnʁɪç ˈvœlflɪn]; 21 June 1864 – 19 July 1945) was a Swiss art historian, esthetician and educator, whose objective classifying principles ("painterly" vs. "linear" and the like) were influential in the development of formal analysis in art history in the early 20th century. [1]
Pavel Kuznetsov: His life and art, Peter Stupples, 1990. ISBN 978-0521364881; A bibliography of salon criticism in Paris from the Ancien Regime to the restoration 1699-1827, Neil MacWilliam, 1991. ISBN 9780521346344; A bibliography of salon criticism in Paris from the July Monarchy to the Second Republic, 1831-1851, Neil MacWilliam, 1991.