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  2. Lingzi - Wikipedia

    en.wikipedia.org/wiki/Lingzi

    [2]: 487 They are typically used on the helmets of warriors, [4] where a pair of pheasant feathers extensions are the indicators that the character is a warrior figure; the length of the feathers, on the other hand, is an indicator of the warrior's rank. [1] The lingzi are generally about five or six feet long. [3]

  3. List of Royal Doulton figurines - Wikipedia

    en.wikipedia.org/wiki/List_of_Royal_Doulton...

    Cobbler HN1706 Orange Lady HN1953. This is a list of list of Royal Doulton figurines in ascending order by HN number. HN is named after Harry Nixon (1886–1955), head of the Royal Doulton painting department who joined Doulton in 1900. [1]

  4. Twelve Ornaments - Wikipedia

    en.wikipedia.org/wiki/Twelve_Ornaments

    When the Twelve ornaments were used in different amounts, it could denote different social ranks; for example, in 59 AD during the Eastern Han dynasty, [6] it was specified that the 12 ornaments concerning the sun, the moon and the star had to be used for the emperors while 9 ornaments concerning mountains and dragons should be used by the 3 ...

  5. Louisville Stoneware - Wikipedia

    en.wikipedia.org/wiki/Louisville_Stoneware

    Hadley pottery became collectible and highly sought after for their varied and creative hand painted patterns. [ citation needed ] Hadley Pottery is still operating. Christy Lee Brown purchased the company in 1997, [ 4 ] and from 1997 to 2007, Louisville Stoneware sales averaged $3 million a year.

  6. Christmas ornament - Wikipedia

    en.wikipedia.org/wiki/Christmas_ornament

    The original ornaments were only in the shape of fruits and nuts. After the glass cooled, a silver nitrate solution was swirled into it, a silvering technique developed in the 1850s by Justus von Liebig. After the nitrate solution dried, the ornament was hand-painted and topped with a cap and hook. [5]

  7. Chinese ceramics - Wikipedia

    en.wikipedia.org/wiki/Chinese_ceramics

    Decoration by underglaze painted patterns had long been a feature of Chinese pottery, especially in the popular Cizhou ware (mostly using black over slip), but was perhaps regarded as rather vulgar by the court and the literati class, and the finest ceramics were monochrome, using an understated aesthetic with perfect shapes and subtle glaze ...