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The Tone Bender MKII is a three transistor circuit [1] based on the MKI.5 version, but with an additional amplifier gain stage. Sola Sound produced the circuit for Vox (who sold their version as the "Vox Tone Bender Professional MKII"), [5] Marshall (who sold their version as the "Marshall Supa Fuzz"), [6] and Rotosound (who sold their version as the "RotoSound Fuzz Box". [7]
A custom-painted Fuzz Factory by Laura Bennett, an artist previously in the employ of Z.Vex Effects. Each unit is handpainted, and while there is a stock design that adorns most models of the pedal, there have been several variations released in limited quantity, including sparkle finishes, kanji finishes (writing and labelling of controls are in Japanese kanji characters), Korean finishes ...
A 1966 Vox Tone Bender fuzz pedal. Released in 1965, Sola Sound's Tone Bender was a re-creation of the popular Maestro Fuzz-Tone, but with more sustain and intended for the European market. For U.S. distribution, Vox released a version in 1967 based on Sola Sound's MK1.5 Tone Bender update, one of many the pedal went through. With different ...
Based on the 1969 Muff Fuzz, this is an Op-Amp version, and was powered by a 1458N IC chip. Red Army Overdrive 1990 - 1992 Discontinued The first Muff type pedal made in the U.S.S.R. Released by Mike Matthews's new brand called Sovtek, after Electro-Harmonix went out of business for the second time. Big Muff Pi (V7) 1991 - Discontinued
The origins of the Pro Co "The RAT" can be traced back to the mid-1970s, when Pro Co engineers, Scott Burnham and Steve Kiraly repaired and hot-rodded existing distortion pedals, such as the Dallas Arbiter Fuzz Face. Burnham decided he could build a superior product from the ground up, and designed what would become "The RAT" pedal.
Dallas Music Industries made a final batch of Fuzz Face units in 1976 or 1977, shortly after moving to the United States. The company bought Crest Audio in the 1980s and although it was operating under that name when it reissued the Fuzz Face in 1986, the units still bore the Dallas-Arbiter name. They made about 2000 Fuzz Faces until 1990.
JHM9 Jimi Hendrix Cry Baby Mini Wah – This pedal is crafted to deliver the same dynamic tonal sweep of the original Italian-made Thomas Organ wah Jimi Hendrix used with half the footprint of a standard wah pedal. JH1FW Jimi Hendrix Fuzz-wah – A combination of the Jimi Hendrix Signature Wah and the Jimi Hendrix Fuzz. It can be used as a Wah ...
Gibson Maestro FZ-1 Fuzz-tone. The Maestro FZ-1 Fuzz-Tone was the first widely marketed fuzz distortion guitar and bass effect. Introduced in 1962, it achieved widespread popularity in 1965 after the Rolling Stones guitarist Keith Richards prominent use of the FZ-1 on the group's hit, "Satisfaction".