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"Good Shepherd" originated in a very early 19th century hymn written by the Methodist minister Reverend John Adam Granade (1770–1807), "Let Thy Kingdom, Blessed Savior". [1] [2] [3] Granade was a significant figure of the Great Revival in the American West during the 19th century's first decade, as the most important author of camp meeting hymns during that time. [4]
Volunteers was the group's first album recorded entirely in San Francisco, at Wally Heider's newly opened state-of-the-art 16-track studio. [3] The album was among the earliest 16-track recordings, with the back cover displaying a picture of the Ampex MM-1000 professional tape recorder used to record the album.
The song was also released by Kantner's band Jefferson Airplane in November 1969 on the album Volunteers. The two versions differ slightly in lyrics and melody. Crosby recorded a solo demo in March 1968 with the melody but no lyrics. Stills recorded his own demo the following month with most of the lyrics in place.
"We Can Be Together" is a song written by Paul Kantner that was released by [[Jefferson Airplane as the first track or their 1969 album Volunteers and also as the B-side of their "Volunteers" single. [1] Allmusic critic Matthew Greenwald described the lyrics as "a virtual "state of the union" address for the counterculture of the late '60s."
The lyrics reflect on materialism in American society. In a song review for AllMusic, Matthew Greenwald commented: Musically, "She Has Funny Cars" is driven by a hypnotic, Bo Diddley-style beat and a powerful guitar riff that sounds like [the Beatles] "Day Tripper" turned inside out. Lyrically, it's a strong bit of social commentary about ...
In his book Jefferson Airplane: every album, every song, Richard Butterworth describes the lyrics on Takes Off as "optimistic" and exhibiting a "growing social awareness" of the era's music. [17] Comparatively, Unterberger noted that the band's cover version of Chet Powers ' " Let's Get Together ", later made famous by the Youngbloods , was ...
"Today" is a folk rock ballad written by Marty Balin and Paul Kantner from the band Jefferson Airplane. It first appeared on their album Surrealistic Pillow with a live version later appearing on the expanded rerelease of Bless Its Pointed Little Head. Marty Balin said, "I wrote it to try to meet Tony Bennett. He was recording in the next studio.
Jefferson Airplane recorded a version as "Chauffeur Blues" on the album Jefferson Airplane Takes Off, released in August 1966, with Signe Anderson as the lead vocalist. The album lists Lester Melrose, the influential early blues record producer, as the songwriter. It is performed at a faster tempo than Minnie's version and uses only three of ...