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Schlegel wrote "Jesus Christus, Menschensohn" as a three-fold call to the Jesus, like the liturgical Kyrie, addressed as the Son of man. [3] The first stanza requests enlightenment to see God face to face. The second stanza recalls that Jesus carried on the Cross what we suffer. The third stanza requests that Jesus, called ("gerufen") from ...
"Somebody's Knocking at Your Door", sometimes given as "Somebody's Knocking" and "Somebody's Knockin ' at Yo' Door", is a spiritual. The song's music and text has no known author, [ 1 ] but originated among enslaved African-Americans on Plantation complexes in the Southern United States sometime in the early 19th century.
The Hymn of Jesus, H. 140, Op. 37, is a sacred work by Gustav Holst scored for two choruses, semi-chorus, and full orchestra. It was written in 1917–1919 and first performed in 1920. One of his most popular and highly acclaimed compositions, it is divided into two sections.
A Selection of Psalms and Hymns for Every Sunday and Principal Festiva [3] (1834) [4] A Selection of Psalms and Hymns (1835) [5] A Selection of Psalms, Hymns and Anthems (1842) [6] A Selection of Psalms and Hymns for Diocese of Nova Scotia [7] [8] (1859) [9] A Church Hymn Book (1861) [10]
Alleluia! Sing to Jesus; Alma Redemptoris Mater; Angels We Have Heard on High; Anima Christi (Soul of my Saviour) Asperges me; As a Deer; As I Kneel Before You (also known as Maria Parkinson's Ave Maria) At That First Eucharist; At the Lamb's High Feast We Sing; At the Name of Jesus; Attende Domine; Aurora lucis rutilat; Ave Maria; Ave maris ...
Lead, Kindly Light; Let us with a gladsome mind; Lift High the Cross; Lift Up Your Hearts! The Lily of the Valley; Little Donkey; The Lord at first did Adam make; The Lord Is My Light; Lord of All Hopefulness; Lord of the Dance (hymn) The Lord's My Shepherd; Love Divine, All Loves Excelling; Lullay, mine liking
The tune, Zahn No. 983, was written ten years later by Johann Crüger and first appeared in Crüger's Neues vollkömmliches Gesangbuch Augsburgischer Confession. [1] [3]The tune has been used many times, including settings by J.S. Bach: one of the Neumeister Chorales for organ, BWV 1093, [4] two movements of the St John Passion, and three of the St Matthew Passion.
The overall focus of the hymn is drawn from Matthew 28:5–6 where Mary Magdalene and the other Mary is told by an angel of Jesus' resurrection. [3] The wording as well as the "Alleluias" are drawn from the Book of Psalms with a number of Psalms being used including Psalms 106 , 111 , 112 , 113 , 117 and 135 . [ 5 ]